Displaying items by tag: rod stewart

SARATOGA SPRINGS – Bolstered by now-classic performances of the songs “Maggie May,” “Mandolin Wind,” the album’s title track, and a moving rendition of Tim Hardin’s “Reason to Believe,” Rod Stewart’s 1971 solo album “Every Picture Tells a Story” will receive the Rochmon treatment at Caffe Lena on Tuesday, Nov. 21. 

Rochmon Record Club gathers once a month under the guidance of music savant Chuck Vosganian, who selects one ground-breaking rock or pop album to dig deep and wide in creating an entertaining, illuminating program of anecdotes, biographical, technical information and photos.

Stewart, accompanied by Ronnie Wood, was ascending to the height of his powers with “Every Picture Tells a Story”- an album cranky rock scribe Robert Christgau graded with an A-plus with extra credit for Rod the Mod’s ability of being “tawdry enough to revel in stellar pop-and-flash” while able to “refine the rock sensibility without processing the life out of it.”      

Doors at 6:30 p.m., presentation begins at 7, and a $5 donation is suggested.  Donations go to the restoration funds of Caffe’ Lena and Universal Preservation Hall.  

Rod Stewart

Why We Like Him: With his trademark raspy voice and exemplary musical lineage, Rod Stewart is one of the top-selling singers of the 20th century. Of particular note: his run with the Jeff Beck Group in the 1960s and his stint with The Faces, as well as his solo albums, through the mid-1970s.

Heritage: Born of Scottish and English ancestry. Loves soccer. Knighted by Prince William at Buckingham Palace in 2016.

Set List: Twenty songs. Ten originals. Ten covers.

Visually: Sir Rod looks healthy up against the 72 years he has spent on earth: shirt unbuttoned to mid-chest, swatches of blonde zagging across his scalp, and a voice that mostly still manages fine and complemented on stage by a chorus of back-up singers. His shaggy-hair look also inspired more than a few fans to don Rod The Mod hair-wigs, although for the most part the wigs seemed less like the classic rooster-cut of the ‘70s and more like a Long Island housewife’s beehive hair-do that had been violated by a pair of sheep shears.   

Memorable songs performed: The Faces’ “Stay With Me” still maintained some of its original joy-filled intensity, and was supplemented by the kicking of several soccer balls into the crowd. Renditions of Tim Hardin’s “Reason To Believe” and Cat Stevens’ “The First Cut Is The Deepest” were emotionally moving during the evening’s five-song acoustic set. “Maggie May” and “Ooh La La” were not. 

Stewart name-checked blues legend Muddy Waters before performing the Hambone Willie Newbern song “Rollin’ and Tumblin’” – which dates back to at least 1929 - dedicated “Young Turks” to World War II servicemen, covered Tom Waits’ “Downtown Train,” and performed a duet with Cyndi Lauper on The Isley Brothers’ “This Old Heart of Mine.”

“You Wear It Well” brought the crowd to its feet, and “You’re In My Heart” had them swaying, arms waving and taking the lead on the choruses. 

Ill-advised:  The drum solo during “Forever Young,” featuring two drummers no less, making the most boring thing in rock doubly so. Another low moment occurred when the band, sans Rod, played “Proud Mary” Ike & Tina Turner style - likely meant to be a tribute, but mostly just looked like a foolish parody. Coincidentally, both segments were used to occupy time so that Rod could go backstage and change into another outfit.

Overall: Entertaining, but lacking the emotional passion that set him apart from his peers during the early 1970s when he reigned as king. All the sharp edges were removed from the guitars, the band – in their matching suits and neat styles – looked more like Rod’s wait staff than musical foils, and Rod himself seems destined to grab the title of rock’s version of Wayne Newton. Clearly, he misses Ron Wood, who left to join the Rolling Stones in 1975. It doesn’t look like the Stones are going to give him back any time soon.

Most annoyingly is the known talent that Stewart once promised before he began his descent into the maelstrom of mainstream mediocrity. It was what promptedmusic critic Greil Marcus to proclaim decades ago: “Rarely has a singer had as full and unique a talent as Rod Stewart; rarely has anyone betrayed his talent so completely.” Not much has changed.

Cyndi Lauper

Why We Like Her: Fun, talented, and charming.

Heritage: Born at Astoria General Hospital and grew up in Ozone Park - both neighborhoods in Queens whose surrounding environs also spawned Tony Bennett, Simon and Garfunkel, Marty Scorsese, three New York Dolls, all four of the Ramones, and Steinway Pianos.  

Set List: 11 songs, covering a span of recordings from 1983’s “She’s So Unusual,” to “Detour,” which was released in 2006. 

Visually: The show began with Lauper swinging around an oversized traveling trunk while teetering atop a pair of high heel shoes, her dancing form framed by massive video screens that depicted Betty Grable days and classic Horror film nights. During her singing of “She Bop,” perhaps most appropriately, she shucked off her oversized top hat and her shoes and performed the balance of the set in bare feet, alternating between song and stand-up shtick, including a joke of sorts about a Nashville hotel that merged Dolly Parton with the Dalai Lama. She also name-checked Captain Lou Albano.

Memorable songs performed: The set began a bit rough  – including one off-key tune which was halted and re-started for which a missing stage prop was blamed - but hit stride mid-way through the set and absolutely took off with the turbo-charged fury of “Money Changes Everything,” the joy-filled  “Girls Just Wanna Have Fun” – which also included pertinent social messages - a charming rendition of “Time After Time,” and an emotionally charged “Not My Father’s Son.”  “True Colors,” Lauper’s beautifully haunting ode to humanity, provided the show-closer.  

Throughout her set Lauper alternately whirled like a dervish, shared center stage with a dulcimer, and serenaded like a chanteuse.  “Have a beautiful summer,” she told the crowd as she exited the stage. “Take care of each other and remember: diversity makes us stronger.”   As one clearly moved row-mate inside the amphitheater expressed after Lauper’s finale: She really leaves it all up on that stage.