SARATOGA SPRINGS - The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College has been honored with three awards in the 2019 American Alliance of Museums Publications Design Competition.
The Museum won:
- First Prize in the Posters category for a poster created for the exhibition Rose Ocean: Living with Duchamp, designed by Jean Tschanz-Egger, Head of Design at the Tang Museum. The 2- by 3-foot poster features screen-printed text on clear mylar with the letters of the exhibition title made of orange circles with white dots in homage to the typography on a 1934 artist book by the legendary Dada artist Marcel Duchamp.
- Second Prize in the Exhibition Collateral Materials category for an interactive project produced in conjunction with the Tang exhibition Give a damn. Also designed by Tschanz-Egger, the project includes four 6- by 10-foot banners that announced the project and invited visitors to write to their federal, state and local elected representatives about a variety of topics on specially-designed postcards that were mailed by the museum during the run of the show.
- Innovations in Print for the exhibition catalogue Sixfold Symmetry: Pattern in Art & Science, designed by Barbara Glauber, principal of the New York City design firm Heavy Meta. The 128-page catalogue features new scholarship by Skidmore faculty members, contributions from Skidmore students, and a translucent dust jacket and open binding.
Also announced: Important works at the Tang by acclaimed contemporary artists Nayland Blake and Lari Pittman have hit the road and are now on view as central works in career-spanning surveys at two prestigious Los Angeles museums.
No Wrong Holes: Thirty Years of Nayland Blake is at the Institute for Contemporary Art, Los Angeles, and will be on view through Jan. 26, 2020. Lari Pittman: Declaration of Independence will be on view through Jan. 5, 2020, at the Hammer Museum at UCLA.
“We are honored to have Tang works included in these important exhibitions,” said Dayton Director Ian Berry, in a statement. “Blake’s monumental Feeder and Pittman’s epic history painting represent key periods in each artist’s body of work. As stewards of these important late-twentieth-century artworks, and as the Tang collection grows and deepens, we are gratified to share them with new audiences and to see that they resonate with today’s art historians, who are inspired to write new art histories. These new contexts for the collection teach us all a great deal.”
The Tang collection includes more than 16,500 objects, and the works by Blake and Pittman exemplify part of the Museum’s mission of acquiring important work by artists from underrepresented identities and that reflect the museum’s exhibition history: Pittman was born in Los Angeles from an American father and a Columbian mother, and his work often addresses issues of inequality and sexual identity. Blake’s work addresses his own queer and biracial identity, as both African American and white. Both of their works are fueled by history and biography and deftly combine narrative and form.
Located on the campus of Skidmore college, admission to the museum is free (donation suggested). Hours are Tuesday through Sunday, noon to 5 p.m., with extended hours until 9 p.m. Thursday. http://tang.skidmore.edu.
