Displaying items by tag: thomas dimopoulos

SARATOGA SPRINGS – The Saratoga racing season, which typically runs from late July until Labor Day weekend will be extended by an additional week this summer.   

The New York Racing Association has set this year’s opening day as Thursday, July 11 - eight days before its previously assumed opening date of July 19.

The extending of the summer meet by eight calendar days will not translate to additional races, however, maintaining its 40-Saratoga-racing-days status quo. Previously, races had been staged six days per week with Tuesdays being a no-race or “dark” day. The lengthier 2019 calendar season, should it be approved, will be compensated for by the addition of no-race Mondays - with the exception of Labor Day - resulting in five days of races per week. The meet will conclude on Labor Day, Monday, Sept. 2.

The ramifications for both year-round residents and summer visitors could be huge.

The earlier start in 2019 will overlap with a pair of perennially busy weekend dates by Dave Matthews Band at Saratoga Performing Arts Center on July 12-13, as well as the summer staging by the New York City Ballet at SPAC July 16-20.  Elizabeth Sobol, president & CEO of Saratoga Performing Arts Center, said having the track open a week earlier gives us the opportunity to cross-promote the New York City Ballet summer residency at SPAC.

City Finance Michele Madigan Commissioner says the summer racing season is among the largest drivers regarding sales tax for the local economy and that despite losing one racing day per week, the addition of a week could be a boost for the local economy.

"We will work with NYRA to ensure the safety of our horses and riders and to do all we can to protect the thousands of jobs in our backstretch community as we navigate this challenging time,” NYTHA President Joe Appelbaum said in a statement.  “NYTHA supports the interim solution NYRA has worked out for summer racing dates. While it presents certain complications, we all get to spend five extra days a year in Saratoga - which is always good for the soul."

 "The new schedule will bring both anticipated and unanticipated benefits to our summer racing season, and we will use the City's resources to make it even more successful than ever,” added city Mayor Meg Kelly.

The schedule change is related to the upcoming construction of a new hockey arena, which would shorten the length of the racing season at NYRA’s Belmont Park.

In December 2017, Gov. Andrew Cuomo announced that the New York Islanders hockey team and their partnership group were selected as winning bidders of a state issued Request for Proposals aimed at strengthening Belmont Park as a world-class sports and entertainment destination. The goal is to construct an arena by the start of the 2021 hockey season. It is unclear whether that would subsequently translate to an additional extended Saratoga season in 2020 and/or 2021. 

The construction timeline indicates work on the new arena at Belmont Park could begin as early as the second quarter of 2019, leading to potential disruption during morning training and afternoon racing. The Belmont Park spring/summer meet will feature a revised 48-day calendar to commence on Friday, April 26 and run through Sunday, July 7.

The new year has brought an unsettling start to 2019 for the New York Racing Association. President and CEO Chris Kay resigned his position in January. According to published reports, Kay allegedly used employees to conduct work at his Saratoga Springs home, and last week it was announced a 25-year partnership between NYRA and Saratoga Race Course food services provider Centerplate will not be renewed. The end of the contract will leave hundreds of people at the Saratoga Race Course without jobs, according to the independent news and information platform Patch.com.  It is not known whether a yet-to-be-named new vendor to manage food and beverage concessions will hire those who were previously employed at the racecourse.  

Todd Shimkus, president of the Saratoga County Chamber of Commerce, says the county’s tourism promotion agency will “pull out all the stops to bring as many people here as possible.  I think the hospitality sector likes the idea of an extra weekend and many of the folks in the horse racing industry like the idea of two (dark) days for a variety of reasons,” Shimkus said. “We’ve also heard from residents who are not necessarily thrilled with the idea of having their meet extended and their city taken over by visitors - but from an economic perspective this extra weekend helps us attract even more people who shop and dine and stay here; The hospitality sector is going to be able to grow.”   

Ariane Fuller is the owner/real estate broker at Racing City Realty – in its 17th year of serving the track rental needs for both homeowners and renters

“I do believe the extra days will be a boost for the community with more time to explore all that Saratoga Springs and the surrounding areas have to offer. Overall, the consensus seems to be that homeowners are excited at the opportunity to rent an additional week.   We will make adjustments as needed. We will take this in stride - my goal is to work hard and make this transition a smooth process for both homeowners and renters.”

A decade ago, the length of the Saratoga season was extended from 36 race days to 40. The Spa staged its first organized thoroughbred racing meet in 1863, which took place over four days in August, as Saratoga began to earn its nickname as “the August place to be.” A century after its founding, the meet was extended to 24 days, then to 30 days by the 1990s.

The 2019 spring/summer racing calendar at Saratoga will be highlighted by the Grade 1 Belmont Stakes on Saturday, June 8; the Grade 1 Whitney on Saturday, Aug. 3; and the 150th anniversary running of the Grade 1 Runhappy Travers on Saturday, Aug. 24.

SARATOGA SPRINGS - Twenty-two musical groups, highlighted by the Saratoga Performing Arts Center debut of Norah Jones and the return of George Benson and Trombone Shorty & Orleans Avenue, are slated to perform at the 2019 Freihofer’s Saratoga Jazz Festival June 29-30.

“I am over the moon to have Norah Jones featured at the jazz festival for the first time. And we welcome back, with open arms and hearts, the legendary George Benson, who will make his 12th festival appearance and first since 2009,” said Danny Melnick, the festival producer and President of Absolutely Live Entertainment, in a statement. “The festival has a deep history of, and is committed to, presenting important and diverse new artists and this year’s edition continues that tradition with Kandace Springs, Veronica Swift, Antonio Sanchez, Cha Wa, Donna Grantis, Youn Sun Nah and Kansas Smitty’s House Band.”

Back by popular demand is Los Van Van 50th Anniversary, Django Festival All-Stars with Edmar Castañeda and Grace Kelly, Joshua Redman Quartet, and James Carter Organ Trio. Fifteen emerging artists making their Saratoga debuts include Kandace Springs, Donna Grantis, Joey DeFrancesco Trio, Mercy Project which features Jon Cowherd, Brian Blade, John Patitucci, and Steve Cardenas, Antonio Sanchez & Migration, and Cha Wa. The festival will also feature a record number of groups led by women artists, highlighted by Allison Miller, Veronica Swift, Ruthie Foster and Youn Sun Nah. 

The festival takes place Saturday, June 29 and Sunday, June 30 at the Saratoga Performing Arts Center.  Performances will begin on the Charles R. Wood “Jazz Discovery” Stage at noon and 11 a.m., respectively, and on the main Amphitheater Stage at 2 p.m. and 1 p.m., respectively.

SPAC also announced that Freihofer’s Jazz Fest Friday will return on Friday, June 28, when scores of live jazz events, themed dining, and social dance options will be held in downtown Saratoga Springs.

Founded in 1978 by jazz impresario George Wein, Freihofer’s Saratoga Jazz Festival is the fifth longest-consecutive-running jazz festival in North America. Initially founded as “the Newport Jazz Festival at Saratoga” the weekend event was renamed Freihofer’s Saratoga Jazz Festival in 1998.  With an inside seating capacity of 5,200, and lawn seating of 20,000, the two-day, two-stage festival continues to be one of the largest jazz music events in North America.

Tickets for the festival will be available online at www.spac.org beginning Feb. 15 to the general public and starting on Feb. 4 to SPAC members. Single-day adult tickets range: $68 lawn, $78-$108 inside; Two-day pass: $116 lawn, $136-$196 inside.  also, $20 amphitheater ticket options are available for children ages 15 and under and students with school-issued ID at time of entrance. Seating is best available with some exclusions. Lawn seating is free for children ages 15 and under. Parking for the event is free. For more information, go to: spac.org.  

SARATOGA SPRINGS – When the United States Postal Service first issued its “Forever” stamp in 2007, it boasted a unique commodity. Here is a non-perishable product that would maintain its value in one ounce-weight, no matter how much costs may increase in the future.     

Forever stamps are non-denominational first-class postage, which means that they can be used to mail First Class letters no matter what the postal rate. In other words, if you purchased the stamps in 2007, which cost 41 cents at the time, then they may continue to be used in the present day for a normal-sized letter weighing one ounce or less, even as postage rates have increased. Forever stamps have also gone up in price - to 42 cents in 2008, 46 cents in 2013, 49 cents in 2014.

This week, the USPS raised the price of new Forever stamps up to 55 cents, which went into effect Jan. 27.  

Since their first issue in 2007, a variety of faces have graced forever stamps – from songwriter John Lennon to America’s first woman in space, Sally Ride; from the animated Great Dane Scooby-Doo to TV’s Mr. Rogers. There are stamps which have honored Americans who participated in WW I, and others recognizing First Responders.   

Brand new, or soon-to-be-released Forever stamps include tributes to entertainer Gregory Hines, and to tennis champion Maureen “Little Mo” Connolly Brinker.  

Additions to the 2019 Stamp Program – although not all will be marked as “Forever” stamps, will include: the 150th anniversary of the completion of the transcontinental railroad; multiple works by artist Ellsworth Kelly (1923–2015); a tribute to Marvin Gaye, and one commemorating the 50th anniversary of the 1969 Woodstock music festival. Another will celebrate murals created inside five different post offices during the era of the Great Depression that were designed to add a touch of beauty to post office walls and help boost the morale of Americans.

While not included in the Post Office Mural pane, locals will note the Saratoga Springs post office on Broadway displays two murals titled “Saratoga in Racing Season,” which were painted by Guy Pene du Bois under the Treasury Relief Art Project in 1937.

On another local note, artist Ellsworth Kelly – whose work will be featured on a 2019 stamp - has been exhibited at the Frances Young Tang Teaching Museum and Art Gallery, on the campus of Skidmore College. In 2015, the Tang received a $100,000 challenge grant from the Ellsworth Kelly Foundation for the purpose of supporting the conservation and care of its 7,000-plus-work collection. Additionally, Ian Berry, the museum’s Dayton Director, worked as a studio assistant for Kelly in the 1990s.

As to how the illustrated face of a stamp is chosen, USPS spokeswoman Maureen Marion says a Postmaster General’s Citizens’ Stamp Advisory Committee meets quarterly and is involved in the decision-making process.

 “They look at thousands of recommendations that come through,” she says.  The CSAC was established in 1957. Their meetings are closed to the public.  

One notable proposal floated during the lick-and-stick stamp days was a four-panel beer stein depiction which had a pretzel flavored taste to it when you licked the back of the stamp, Marion says. “But, that didn’t come to pass.”

The Richard Nixon stamp, issued in 1995 after the former president’s passing, was the first stamp on a major scale that moved away from the lick-and-stick variety and on to the adhesive option.  

“Just imagine, there are people graduating college now who have never licked a stamp,” Marion says.

As for the Stamp selection process, the U.S. Postal Service welcomes suggestions for stamp subjects that celebrate the American experience. Any proposal that meets the established criteria will be considered.  That criteria may be found at: https://about.usps.com/who-we-are/csac/criteria.htm. As of January 2018, no living persons will be honored on a stamp. Deceased individuals will be honored no earlier than three years after his or her death.

SARATOGA SPRINGS — More than a dozen albums ago, Saratoga Springs High School friends Pete Donnelly, Mike Gent and Guy Lyons first got together to form a musical ensemble they called The Figgs.

Thirty-one years and some 1,500 shows later, Donnelly - who calls Philadelphia and South Jersey home these days – returns Jan. 31 to Caffe Lena, where he will be joined by Fred Berman on drums, Ray Long on bass, and John Cunningham on guitar.

In addition to his founding-member in-standing with The Figgs, Donnelly’s musical path has traveled through Terry Adams’ legendary NRBQ, Soul Asylum, the Replacements’ Tommy Stinson and Graham Parker, among others.  

There was a TV commercial for a luxury car in 2013 that featured the catchy post-new wave riffs of the Figgs’ “Je T’adore,”  and with the song “Your Smile Is a Deadly Thing,” released in 2016, the band showcased THE most addictive guitar riff of the year. Go ahead, give it a whirl HERE. 

Coming back to Saratoga, “still pretty much feels like home,” Donnelly said, during a phone interview in advance of New Year’s Eve return to perform at First Night Saratoga 2017.

His most recent solo album, 2018’s “Phases of The Moon,” features an all-star combo and signals a departure from Donnelly's past work. While the pop songs remain, the jazz predominates. (As was written in these pages upon the album’s release last year: The piano serves as a driving force, merging seductive jazz riffs laced with a sweet soul muse, topped with the familiar jingle-jangle of an electric guitar).

Ten of the album’s 18 tracks are instrumentals and include recreation of works by Thelonious Monk, Ornette Coleman, Erik Satie, Claude Debussy and Oscar Pettiford.

“As a kid I loved jazz music, Charles Mingus, Thelonious Monk, and I think a lot of people are surprised by that. Those were my idols,” says Donnelly, whose first instrument was the bass - and specifically an Ibanez Roadstar II, purchased at Drome Sound in Albany on his 13th birthday.  Growing up in ‘80s, bands like Hüsker Dü and Black Flag helped inspire his music “counter to the cheesy, schmaltzy ‘80s pop world we grew up in during the Reagan Era. Our music was an affront to that. It was an expression of searching for an identity in a banal world,” he says. “It almost feels like it’s a return to that now.”

Pete Donnelly performs 7 p.m. on Thursday, Jan. 31 at Caffe Lena. Tickets are $20 general admission, $18 members, $10 students and kids. For more information, call 518-583-0022, or go to: caffelena.org.    

SARATOGA SPRINGS – In the waning months of 1974 and following the conclusion of his tour with The Band, Bob Dylan recorded 10 songs that would emanate from the grooves of his vinyl release in the new year. The album - “Blood On The Tracks” – includes the now-standard Dylan tunes “Tangled Up In Blue,” “Simple Twist of Fate,” “Shelter From The Storm” and “Idiot Wind.”

Wednesday night, the Rochmon Record Club calls its popular sonic gathering to order at Caffe Lena to listen, learn about and discuss Bob Dylan’s epic 1975 album “Blood On The Tracks.” 

In addition to revisiting the stories and songs of this iconic album, the night also provides a neat prelude to the scheduled 2019 Netflix release “Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese,” which focuses on the singer-songwriter during his The Rolling Thunder Revue tour. That tour hit the road shortly after the release of “Blood On The Tracks” and featured a plethora of musicians (Joan Baez to Roger McGuinn to Ramblin’ Jack Elliott to Mick Ronson), writers (Sam Shepard) and poets (Patti Smith turned the tour down, but Allen Ginsberg showed up).  There was even a push by Saratoga Springs café owner Lena Spencer to stage the tour locally (One Night Only, Nov. 18, Six Bucks).   

The Listening Party on Wednesday, Jan. 30 begins at 7 p.m. with a live audio and video presentation by Chuck Vosganian, aka Rochmon. The Caffe Lena kitchen will be open for light food and drinks. General admission is $8. For more information, go to: caffelena.org. 

SARATOGA SPRINGS – 5G. AI. Blockchain. The possible eradication of disease and abolishment of poverty. The potential wiping out of your job. So many questions.  A free, city-based “Lunch and Learn” event with a focus on artificial intelligence will take place Thursday, Jan. 24 at the Saratoga Springs City Center.

“The AI Opportunity: Developing an AI Ecosystem in Upstate New York” will include a panel discussion, and a Q & A session: What is artificial intelligence? Why does AI matter? What opportunities does it present locally and regionally?

Panelists will share ideas, experiences, and viewpoints about AI technology, research and development, ethics, and policies and will be moderated by Michele Madigan, city Commissioner of Finance and chair of the Saratoga Springs Smart City Commission.

“This series—on topics such as artificial intelligence, blockchain, innovation, and energy—works to position the region to spur economic development by leveraging applications of emerging technologies to practical business challenges,” Madigan said, in a statement.

Marty Vanags, president of Saratoga County prosperity Partnership, and one of the sponsoring organizations of the event, points to things like the Apple Watch, robot vacuums and Alexa as things inside the home that depict AI is already here.

“On my phone I have The Weather Channel App. Algorithms are generating information and pretty darn accurate information about what the weather is going to be like into the future, from temperatures on an hourly basis to how much and where snow is going to fall,” Vanags says. “I was at a consumer electronics show last week and Samsung has something called The Hub - this giant screen on the refrigerator that organizes your family activities, totally interactive.   

Do you watch movies on Netflix? That data is put to use for the next time you want to watch a movie and shows up in recommendations: because you watched THIS movie, try THESE movies. “It may not be an exact fit, but the technology, that algorithm will learn over time,” Vanags says. “Machine learning, which is part of Artificial Intelligence. It keeps re-defining until it really begins to know and understand what it is you like.”  

It is anticipated that the deployment of 5G will lead to the mainstreaming of autonomous, or self-driving vehicles.

Asked whether there may be a danger with all the gathering of data that may lead to humans not being exposed to new things, or perhaps other downfalls, Vanags says, “technology needs to have limits and controls, just like anything. It’s an interesting conundrum. We like our technology we like our conveniences and at the same time we don’t want to be felt imposed upon by companies that are using that technology.”   

An “Open Letter” penned in 2015 and signed by the likes of Steve Wozniak, co-founder of Apple, the late Stephen Hawking and thousands of others, the importance of focused research to maximize the societal benefit of AI was stressed. “Our AI systems must do what we want them to do,” the Open Letter states. “The potential benefits are huge… the eradication of disease and poverty are not unfathomable. Because of the great potential of AI, it is important to research how to reap its benefits while avoiding potential pitfalls.”

The future impact of AI is also anticipated to cause the elimination of some jobs - taxi drivers and truck drivers as examples among them - when self-driving vehicles become mainstream. 

“It’s hard to predict. I’m not predicting this, but some people have predicted that you will go to a restaurant and essentially robots will take your order,” Vanags says. “I don’t know, I think the human element is still important and I like my waiters and waitresses at Cantina, so I don’t see that necessarily,  but there could be applications in AI that predict what I might order, an Artificial Intelligence application that actually generates the food that I’m going to eat, but there are a lot of costs involved and I think that’s well into the future.”

“The AI Opportunity: Developing an AI Ecosystem in Upstate New York,” a Lunch and Learn session of the city partnering with IgniteU NY, will be held noon to 2 p.m. on Thursday, Jan. 24 at the Saratoga City Center. Lunch will be provided. Panelists include Bob Bedard, the President and CEO of the software company deFacto Global, Inc., Dr. Craig Skevington, CEO of managed service provider STEADfast IT, and Colin Garvey, a Ph.D. student at Rensselaer Polytechnic Institute (RPI) specializing in AI risk governance.

The event is free and open to the public, but it is limited to 100 attendees. For more information, GO HERE.

SARATOGA SPRINGS – There are three Land Use boards in the city, its members comprised of local citizens, who are privy to and make recommendations regarding the architectural changes, designs and developments in Saratoga Springs.  As 2019 gets underway, city Mayor Meg Kelly is looking to appoint new members throughout the year to each of the three boards.

 “The Land Use boards are established by volunteer citizens - who are on each of the three boards. Their job is to review applications before them and make the best, most comprehensive decisions that progresses all the ideas the City Council has already adopted,” explains Saratoga Springs City Administrator Bradley Birge, who specifically advises the Design Review Commission. The DRC, Planning Board, and Zoning Board of Appeals make up the three boards.  

“So, how do we develop as a city? Large-scale that’s done through the Comprehensive Plan. You’ve got the larger objectives of wanting to encourage growth downtown, and we want to protect the natural resources in the outer areas. Applications come before the board for a project and they go through one, two, or sometimes all three of these Land Use boards,” Birge explains. “The Comprehensive Plan provides the policy goals, the objectives. The Zoning ordinance is the law that implements and causes the Comprehensive Plan goals to occur.”    

Planning Board – Meets 1st & 3rd Thursday of every month at 6 p.m. The Saratoga Springs Planning Board is a 7-member citizen board appointed by the Mayor to 7-year staggered terms. The City Council gives the Planning Board the following independent authorities to review development activities within city boundaries: Floodplain Variances, Site Plan Review, Soil Erosion and Sediment Control, Special Use Permits, Subdivision Review.

Kate Maynard, Saratoga Springs Principal Planner, advises the Planning Board: “Typically, the Planning Board will see almost any application of any development that is proposed. As a citizen it really gives you a central spot and view into what’s coming in as a proposed development in the community. It’s very diverse, and very busy in terms of volume with applications coming through. Private, residential, managing things such as Open Space conservation… You have goals such as how the lots are laid out, and a really important thing is the context: how it ties into the community as a whole. So, the Planning Board is very comprehensive in terms of what it looks at.  

“We’re seeing a lot of proposals for mixed-use, or commercial applications or concentrated residential. We’ve seen a lot of growth in our transect districts – areas the city has slated for special development, really where new neighborhoods are being formed. An example of that would be Weibel Avenue, another is Excelsior Avenue.”

Design Review Commission - Meets 1st and 3rd Wednesdays each month at 7 p.m. The Saratoga Springs Design Review Commission is a 7-member citizen board appointed by the Mayor to 5-year staggered terms. The City Council gives the Design Review Commission the following independent authorities to review development activities within city boundaries: Historic Review, Architectural Review. In general, their role pertains to building exterior.

Bradley Birge: “Good board members need to be analytical. They need to understand it’s not their personal preferences of whether they like or dislike a particular project or builder. They need to look and say: how does this application meet the zoning law. It’s the City Council who pass the zoning laws. It’s the zoning laws that indicate how you develop within the city of Saratoga Springs. They need to understand they’re not there on behalf of themselves. They’re there on behalf of the community and to ensure council-approved laws are followed. All board members get training. Our job is to get new members up to speed.”   

Zoning Board of Appeals – Meets 2nd and 4th Monday of every month at 7 p.m. The Saratoga Springs Zoning Board of Appeals (ZBA) is a quasi-judicial 7-member citizen board appointed by the Mayor to 7-year staggered terms. State regulations require communities to have a Zoning Board of Appeals to review the following types of requests for waivers from any of the regulations in the zoning ordinance: Use Variances, Area Variances, Interpretations.

Susan Barden, Saratoga Springs Senior Planner, advises the ZBA: “We do have several attorneys on the board, or those who have been educated in law. That’s beneficial. It might be helpful to have some technical expertise: landscape engineers, architects. I think it’s helpful to understand how to read plans. Again, we do educate the board and have training opportunities, but that’s helpful knowledge.” 

In general, the boards also provide advisory services, or referrals for advisory opinions to the City Council as well as other boards, agencies and departments in the city. Experience-wise, a diverse representation of the city is key, Maynard says.

“In general, what we really stress is representation of the community - whether it’s age, whether it’s what part of the city you reside in, whether it’s expertise you may have regarding your personal background or skills.  So, generally speaking having that diversity and ensuring the representation of the community is one thing that’s very important. “

Residents interested in applying for either of the three city Land Use Boards may do so via an application forms posted on the city’s website. Go to www.saratoga-springs.org, and see section: Applications for Boards and Commissions.

Who: Jeff Goodell, Award-Winning Author, Energy and Environment Expert and Contributing Editor to Rolling Stone Magazine

Q. How long have you been in Saratoga Springs?
A. Sixteen years.

Q. How has the city changed during that time?
A. I like the progress in Saratoga and the changes that I’ve seen here. It’s become more prosperous, but it feels healthy and alive. I love the mix of nature and culture: I can go skiing at Gore, hiking in the Adirondacks and get on a train and go to Manhattan. I do wish there was more live music, besides SPAC.

Q. You grew up in California. How have you adapted to the change of seasons in the Northeast?
A. I always think of myself as a westerner, so I can’t figure out how I’ve spent the last 30 years on the east coast – but for work, at Rolling Stone, it’s the place to be. I do miss the west, but I travel so much so I get there a lot. And I like cold weather, too. I’m a freaky California guy. It still feels exotic to me: Oh, look, there’s snow!

Q. You spent some time with President Barack Obama in 2015 for a Rolling Stone interview piece. What can you say about the former president that people may not know?
A. That time with Obama seems very surreal now, even though it was only a couple of years ago. I spent three days with him in Alaska and we spent a lot of time together. The thing about Obama that struck me was his essential humanness. He was so unpretentious in how he carried his power, the way he treated me and the way he treated people around him. There was no sense of: I’m the President and you’re not and so what I have to say is more important than what you have to say. That may sound like a such a simple thing and a cliché, but it was very powerful and true.
I spent a couple of hours talking with him about climate change and it was just amazing the degree to which he was engaged in the conversation – not checking his watch, not looking for aids to help him. He’s a very intellectually serious person.

Q. What are you working on now?
A. I literally just finished a story about the new EPA Administrator Andrew Wheeler for Rolling Stone, it’ll be out in a couple of weeks. And I am planning a trip to Antarctica in January, where I’ll be for two months with British Antarctic Survey scientists who are looking at the melting ice sheets there.

SARATOGA SPRINGS - Tim Davis roams the corridors of the Tang Museum, surveying the gallery landscape where the work is ongoing in preparation of this weekend’s opening of his new show.

“This is the first time I’ve ever really done a show on this scale of things - things that aren’t just pictures that I took on a wall,” he says, the sonic echo of swinging hammers and buzzing drills flowing all around him. “This has a lot more going on.”

There are photographs – which he calls cartoons, selfies captured in the South Sea, videos of radios that he filmed in Tunisia; There is a self-portrait sculpture composed of multiple copies of Bob Dylan’s “Self Portrait” album, and a multitude of grave rubbings of people with funny names. “I can’t believe that I spent all this time in the summer doing these grave-rubbings,” Davis says, with a laugh. “It just seems insane.”  

“While I’m out there making photographs about the immediate moment, I’m also collecting stuff all the time,” he explains, posing for a photograph in front of his Library of Ideas. Here, the book shelves are lined with titles that boast the word “Idea.” 

 "It all started with the sheet music of the song ‘(When We Are Dancing) I get ideas,’ Davis says. “I started collecting printed matter that has the word IDEAS in it, thinking that if I ever needed more ideas…”

Davis had staged solo exhibitions in Italy and France, Belgium and Canada. He has been involved in group exhibitions in spaces like the Metropolitan Museum of Art. “When We Are Dancing (I Get Ideas),” - which opens on Saturday at the Tang Museum - marks the first large-scale exhibit in Saratoga Springs for the artist who spent his childhood here.  

Davis grew up in Saratoga where at a young age he went around town with his friends making home movies with a Super 8 camera. He played in local bands. He created handwritten stories that were published in a homemade newspaper created by his friends. The TV news was their inspiration.   “We were all obsessed with this weekend news anchor in Albany named Joe Moskowitz,” he recalls. “We got his 8x10 glossy, signed. We were in his fan club…”  

The artist’s father, longtime Saratogian Peter Davis, was the program director of the Flurry Festival and plays a variety of instruments with numerous bands in the region, from Annie and the Hedonists to Saratoga Race Course house band Reggie’s Red Hot Feetwarmers. Music also plays a prominent rule in the exhibition. A monitor inside the museum displays music videos the younger Davis created for each of the 11 songs that he wrote for an album titled “It’s OK to Hate Yourself.”   

“It’s got many of Saratoga’s finest musicians on it,” says the artist who spent many years writing lyrics for his brother’s band, Cuddle Magic.  On Dec. 6, Tim Davis will perform all new material with his all new band.  “We’re called Severely Brothers. not THE. Just called Severely Brothers, OK?”

He is an artist, writer and a musician who makes photographs, video, drawings, sound, and installations. Humor plays a vital role.     

One of his earlier videos - “The Upstate New York Olympics” - depicts Davis leap-frogging over lawn jockeys. Sixteen different lawn jockeys in fact and some of which would be readily recognizable to residents of the Spa City. 

“On my 40th birthday, I said: I’m going to go out and just make something that’s super fun, something I enjoy. My birthday is Nov. 5 and it’s always cold and miserable and I came up with idea of making new sports. And I love playing sports, so I was like: Can I make art as fun as playing sports? For a year I made this thing – The Upstate New York Olympics - and I went all around upstate scanning the landscape,” says Davis, who is 48. “The lawn jockey leapfrog seemed logical. I get a rush out of doing something I’m not supposed to do. I never really got in trouble,” he says. “And I only went to the hospital once.” 

Another early video features 12 minutes of various Dollar General stores that accompany the lonesome traveler on a journey across the upstate landscape. 

“I was visiting a friend in Chenango County, out near Binghamton. You’re driving around an realize there are these Dollar General stores in like every town, these amazing glowing things where they leave the lights on really late at night. You’re like: Oh, there goes another one. He fixed his camera to the side window of his car and continued on his journey. ”I enjoy being out in the world and being dedicated to capturing something about the immediacy of the moment.” 

In the Tang Museum exhibition, two fixed walls play moving images that showcase, respectively, the formative beginnings of the hope-filled power of creativity - called “Counting In” - and its successful conclusion, called “Curtain Calls.”  

“This is all footage I shot. Counting In took a year of going to band practices and waiting for them to say: one, two, three, four. Filmed in their rehearsal spaces, I just take the part where they go: one, two, three, four and string all of those together, before the song even starts. Curtain Calls are of amateur theatrical plays. It’s the ecstasy of the thing being over. Different plays from all over the country, shot from the same vantage point,” Davis says.  

“A curtain call is what everyone is aiming for in a play - especially an amateur play that’s three hours long. Everyone’s like: can we get it there without messing it up? And Counting In is something that’s necessary to make music happen. I feel these two pieces are the real American Dream – which is playing in a band in your basement and doing an elaborate theater production. It’s not making a million dollars on Wall Street. “  

Another music-meets-culture depiction - Un-Easy Listening - takes up a glass housed section of the museum’s second-floor space.

“There are about seven or eight hundred easy listening record in here - records you pick up when you go digging through the Salvation Army,” Davis says. “Elevator music. Music meant to be in the background in a suburban house in the ‘50s, when people moved from urban ethnic-type apartment tenements to the suburbs, where they created all this music to fill up that space. That happened at the same time of the invention of the long-playing record and hi-fi stereo. So, it was the perfect storm of blandness.” A trio of record players simultaneously spin three different easy listening selections. “It’s interactive. People can come in and take records, put them on, change them out, take them home if they want. I would be grateful to get rid of them.”  

Davis lives in Tivoli, N.Y., near Kingston and teaches photography at Bard College. He previously taught a different generation of students at Yale, from 2001 to 2004. It was an era before Google, before Facebook and prior to Instagram. The technological changes of the past 15 years have been massive.

 “One thing that’s harder and harder is going out into the world (for a new generation of students). Computers and the Internet are things that make us… we know where we can go to get answers. Every question can be answered in one place. The idea of moving through the world randomly may lead you to your answers, and unexpected answers, but it’s harder for them to do that. So, I give an assignment that’s called ‘Let’s Get Lost’ and the idea is you have to be completely lost before you can take any pictures, and you can’t have a phone with you. For me, the idea is that there’s a heightened attention when we’re lost, a feeling of being hyper-aware,” Davis explains.

“On the other hand, the idea of their lives being something they want to share with other people is something that’s totally familiar to them. It’s easier for them to make work that’s more personal, that’s more connected, because they’re used to it. It’s something they’ve done their whole lives. Not only making art about their whole lives - but publishing it, for all to see.”

The exhibition reflects the wide variety of the artist’s works. “I’m paying attention all the time,” Davis says. “The thing is, we may run out of a lot of things, but we’re never going to run out of significance. We’re never going to run out of something to say. As long as there are human beings, there is going to be significance in a sense that: this is really important, let me tell you this. And that’s what I’m here for.”

 (photo: the artist in the spotlight, at the Tang Museum, Oct. 17, 2018. Photo: Thomas Dimopoulos)

Tim Davis - When We Are Dancing (I Get Ideas), a solo exhibition opens Saturday. Oct. 20 at
The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. Opening reception is at 5 p.m.

On Tuesday, Oct. 30, Davis hosts an evening at the museum of storytelling about how and why people collect things.  he will also stage a musical performance on Dec. 6. For more information, go to: tang.skidmore.edu.

SARATOGA SPRINGS - In addition to the first presentation of the proposed 2019 city budget, the Council tonight will vote on a PILOT agreement regarding the planned mixed-use development on South Broadway, which currently sites the former Saratoga Diner.   

The proposed project will include 101 multi-family dwelling units – 68 of those units “for citizens having household incomes less than or equal to 60 percent of area medium income (“AMI”) for Saratoga County, adjusted for family size.”

AMI for Saratoga County is approximately $86,400. Sixty percent of that number translates to a family of four having a household income of $51,840 or less. The income number roughly decreases approximately $5,000 for each member of the family less than four.    

In addition to the 68 units, another 14 units are to be specifically designated for veterans. The remaining 33 units are for persons having household incomes of between 60 percent and 130 percent of AMI or less.

The planned project is named “SoBro,” as it is SOuth of BROadway, and reminiscent of the SoHo (SOuth of HOuston Street) moniker placed on a portion of lower Manhattan – known in the 1970s and ‘80s as an inexpensive haven for creative artists and independent business owners, more recently gentrified and home to box stores.   

SoBro is slated to designate at least 10,000 square feet of commercial space for an “affordable economic development business incubator work space” to assist city businesses and up to an additional 10,000 square feet of commercial space for “below market rental use” by not-for-profit groups arts-based organizations.

The 30-year PILOT (payment-in-lieu of taxes) agreement starts with a near- $64,000 payment in year 1, and concludes with a more-than $267,000 payment in year 30.