Displaying items by tag: thomas dimopoulos

THE RAIN FALLS in Los Angeles, on average, once every 10 days. And despite this being one of those days, Lindsey Stirling is undaunted.

The musician, composer, dancer, performer, author, and YouTube Superstar is in the City of Angels in preparation of a two-month-long trek across America which kicks off July 6 in Kansas City, Missouri and lands at the Saratoga Performing Arts Center on July 28. Also appearing are co-headliners Evanescence. This will be no ordinary tour.  

“We’re trying to create something that’s brand new, and the only time people will be able to experience it, is during the show,” Stirling says.

She plans on delivering everything her fans are accustomed to seeing her provide - dancing and singing and the playing of music, often simultaneously – as well as injecting some moments of spontaneity that involve Evanescence. “You have two very unique artists who have very different shows but are very similar as well. That’s why I think it’s a perfect pairing. At points during the show there will also be some collaboration. There’s going to be a lot of creativity and It’s going to be really cool.”

Stirling’s self-titled debut album was released in 2012 and followed by “Shatter Me” two years later. “Brace Enough,” her third album, was issued in 2016 – a year which also saw the publication of her memoir “The Only Pirate at the Party.” An album of Christmas songs was released late last year. Exhibiting a variety of talents, Stirling recently lent her likeness to a new comic book series called “Sparrow,” has competed on the TV shows “America's Got Talent” and "Dancing with the Stars," and counts more than 10 million subscribers on YouTube.

This summer’s journey has her sharing equal billing with her musical heroes. “It’s really big for me: getting to go on tour with them and every night sharing the stage. It might sound like a cop-out, but Amy Lee and Evanescence were huge heroes of mine growing up. I had a poster of them on my wall. I remember sitting in my parents’ car the first time I heard ‘My Immortal.’ I remember being so touched by her voice, and how they combined an edgy sound with this beautiful soaring melody. As a young teenager I really think that was a huge inspiration to me and kind of the reason I wanted to make my own music,” Stirling says.

“When I started writing my own music, I took a page out of their book. I was doing dubstep and I thought: OK, how can I make this really edgy electronic music meld with my classical background? And so, a huge inspiration to me was Evanescence,” says the classically trained violinist, who grew up in Arizona.

“I had played classical my whole life – I played since I was six – and everything I played pretty much was on a white piece of paper with black notes. I was taught how to play it and how to articulate it. It was the same music that had been played for hundreds of years on an instrument that was hundreds of years old, and I was playing it the way it had been played for hundreds of years. I just got burned out,” Stirling explains. “I thrive on creativity and so I think I had just gotten bored. So that’s why I strayed from classical. I thought to myself: I’m not going to quit, I just need to re-find my passion, play the kind of music that excites me, the kind of music that I love. That’s why I started playing in rock bands and adding classical elements - not taking away from classical, but just adding my own vision to dubstep and pop and rock. It made it come alive for me. “

Making a leap from the classical world was not without judgmental repercussions.

“There are haters out there, for sure, and they’re very loud sometimes, but there are way more people that are appreciative, loving and kind to me and my art,” she says. “With the negative comments, I have to remind myself why I’m doing this. I like to tell stories, I like to make videos, I like to perform. I’m not going to be the best classical violinist in the world. I’m a violinist who gets to do what they love, share it with a lot of people and make them smile. I’m much happier doing that. “

Stirling’s memoir, which was published in 2016, has been largely hailed as an inspirational journey demonstrating her persistence, her humor, and as an inspirational tale, openly taking about her own struggles with anorexia - a life-threatening disorder due to the effects of weight loss and starvation on the body and brain.

“It wasn’t an easy struggle,” Stirling says. “I’ve been in recovery now for several years and it’s something that I know – the same way that anyone who has had an addiction knows – there’s always that tinge in the back of your mind. Most of the time I’m unaware of it. Occasionally it will come forward and remind me it’s there and would like to come forward again, and I’m like: ‘No. You’re not allowed to be a part of my life.’ I have the tools necessary now and I know how to use them to say: No. Just go away. I’m very happy where I’ve gotten to now, and I’m doing really well in that area.”

She says she shares her story with people to help provide a message that as difficult as things may appear in the moment of struggle, recovery is possible.

Not surprisingly, Stirling says getting involved in the field of motivational speaking and creating “a brand of positivity” is one of her future goals.

“I will write a Broadway musical at some point. And I’m also going to have a Vegas show,” Stirling says. “As for right now, I’m really trying to get into motivational speaking. I feel like that’s my next calling in life. I want to go out and share my message in a very upfront way and through that I want to raise dollars for charity. Those are my big 10-year plans.”    

SARATOGA SPRINGS - More details are available regarding a special David Cassidy Tribute Concert to take place in Saratoga Springs Aug. 14. 

The concert was first reported here, in the aftermath of a fan celebration which brought Cassidy fans to the city from across the globe last month. Organizers of that inaugural event say they plan to make May 20 an annual David Cassidy celebration day in Saratoga Springs.  The 1970’s teen heartthrob - best known as Keith Partridge in the television sit-com “The Partridge Family,” passed away last November at the age of 67. 

Cassidy, who owned a home in Saratoga Springs, had a passion for Thoroughbred racing, and was ardent in his support of TRF and its mission of saving former racehorses from abuse and neglect.

The David Cassidy Tribute Concert will take place 8 p.m. Tuesday, Aug. 14 at the Horseshoe Inn, located at 9 Gridley Ave., Saratoga Springs, N.Y., and will benefit the Thoroughbred Retirement Foundation.

Members of Cassidy's band - Terri Cote (drums), Craig Snider (keyboards/vocals); Dave Robicheau (guitar/vocals); Matt Sullivan (guitar/vocals); Vance Brescia (guitar/vocals) and Darrell Craig Harris (bass/vocals), are anticipated to perform at the event.  

Tickets are $50 and available by calling TRF at 518-226-0028 or online at https://www.trfinc.org/event/david-cassidy-band-special-guests/. 

SARATOGA SPRINGS – Performance artist. Writer. Poet. Experimental theatre maker. Penny Arcade has authored 10 scripted performance plays and hundreds of performance art pieces. Her work has been produced everywhere from London to Vienna.

Born Susana Ventura in the small factory town of New Britain, Connecticut, she named herself Penny Arcade at age 17 while living on her own in New York City, where her mentor, photographer/artist Jaimie Andrews, introduced her to legendary director John Vaccaro and The Playhouse of the Ridiculous. She was subsequently recruited, while still a teenager, by Andy Warhol to be a Factory Superstar.

Arcade and longtime collaborator Steve Zehentner are in Saratoga Springs this week on a 10-day residency for The Orchard Project – which supports artists’ new work and the development of shows in the theater world.

Arcade says she recalls visiting the city decades earlier with Louden Wainwright, who was performing at Caffe Lena. A clothesline of words and typed scenarios depicting their current work-in-progress, tentatively titled “Old Queen,” clings in blue painters’ tape to the walls of the apartment where she is housed – a converted apartment complex on the city’s east side which once staged major music concerts as the Great Saratoga Music Hall. Arcade, appropriately enough, wears a T-shirt that reads: Love Saves the East Village. Here is some of what was said:

“The first time I came to New York I landed right across the street from the Village Gate. I’m from a factory town, New Britain, Connecticut and I ran away when I was 16. I went to Provincetown, then to Boston.”

On her name: I had the name ‘Penny Arcade’ since I was 17 years old. I named myself and it was supposed to be a joke. I was saving Susana Ventura for when I did something good. Unfortunately, it’s taken so long, haha, I’ve gotten stuck with Penny Arcade.

On the ‘60s: I’m part of the original youth culture. it was a very philosophical time. That’s one of the things we want to bring into the show. While there was a lot of low energy in the sixties, there was also a lot of high-mindedness: Paul Krassner, Abbie Hoffman, Lenny Bruce, James Baldwin. I come from an era when Gore Vidal was on television. Maybe if you were a bright kid, you were tuned in to these kinds of things. Regardless of what brightness you had, the mentality that was being driven was that of a seeker. You talked about how you were going to change things. You were metaphysically connected to a group of people. It was about evolution.

On Performing: I work improvisationally. Steve and I have worked together for 26 years. I improvise directly to Steve, and Steve writes it down. I can go anywhere and improvise an hour show, just off the top of my head by drawing from different shows of mine. I have 12 full-length plays and hundreds and hundreds of hours of performances.

On Andy Warhol: It’s taken me years and years and years to understand Andy. He was a very complex figure. I kind of resented him because I viewed him as a user.  You have to remember Andy Warhol did not become famous until he became shot. He was not the most important Pop artist. He was not Claes Oldenburg, he was not seen at that level. He was seen more as a freak. And he was kind of a prankster. Andy’s greatest feat was convincing the art world that he was a painter, when what he actually was, was an art director. We see the results and high impact of Andy Warhol not in art, but in advertising. That’s where you can see his influence. Over time, I’ve come to appreciate him as a conceptualist.

When she was 17: I took a $25 shuttle from Boston to New York City. I met these very kind of bizarre drag queens who are in this play. In Provincetown they said: you belong in New York. Eventually I re-met Jamie Andrews, who’s also in this play and who I’d first met in Provincetown. With him, I met John Waters and all these people. When Jamie saw me in New York, I was living on the street. I was definitely an at-risk teenager, like many, many teenagers who were there. Jamie saw me one day on the street, quite by accident, and he said: you don’t look too good. He goes, ‘I think you should come live with me.’ And he took me in. And as I say in the show, show me the 27-year-old gay man who’s taking in the 17-year-old girl off the street. Jamie is a fascinating person in his own right. He was the person who first brought me to the Playhouse of the Ridiculous. 

The Playhouse of the Ridiculous: All the elements in my work come from the Playhouse of the Ridiculous, except I do costumes. (Playhouse founder) John Vaccaro’s work is still not understood. I am his protegee. Vaccaro’s work was political. He wasn’t interested in Man’s struggle against Man, he was interested in society.

On Patti Smith: I was very close to Patti in 1969- ‘70. When I met her she had just become a poet. But first, was her paintings. She used to write on her paintings which she’d show me, and they were extremely interesting. I was in the first play she was in, (Jackie Curtis’) “Femme Fatale.” There was something that was transferred between the two of us. Patti’s an interesting person. Recently I’ve come to realize that Patti and Robert Mapplethorpe kind of heralded, in 1969, the first wave of young people where fame was more important than accomplishment. Patti wanted to be famous. We had a joke at Max’s (Kansas City) one night which went on for several weeks that Patti and I were going to start a band. She and I really bonded at being working-class girls in a scene of debutants.

On Bowie: Angela Bowie, from what I heard back then, was really the interesting figure. David Bowie was this boring kind of folk singer and then they started dressing David like Angela – and the rest is history.

On Punk: Wayne County to me is the most important person in the punk scene and far more important than Patti, Richard Hell or any of them...rock and roll was our religion, and Wayne County was the person who took it to heart. What else can a poor boy do except play in a rock and roll band?

On The Orchard Project: “We like the way Orchard Project works. It has a core of 15 kids interested in theater, in performance, so we like having those conversations. We’ve worked a lot with young people in our video projects. Steve and I have a video project we’ve been doing for 19 years called Stemming the Tide of Cultural Amnesia: The Lower East Side Biography Project – which anyone can watch. (Website: http://pennyarcade.tv/) . This is my way of injecting inter-generational voices into the culture, because it’s not 1980 or 1990 or 1970 for that matter when young people move to New York and meet older artists. The whole idea of lineage has changed. The whole idea of what it means to be an artist has changed. Those ideas have been gentrified.

On Purpose: “I think we all glom onto whatever resonates with us personally on a spiritual level, on a metaphysical level. We come here with purpose. I believe that we are born with purpose. That we all have certain lessons we are here to learn. That’s the purpose of life: for evolution. And it’s not a complete evolution. Whatever my standards are of who I think I should be, I’m not attaining them in this lifetime, you know? I think evolution continues.”

Paul Schrade stood atop the platform in the ballroom of the Ambassador Hotel. A few feet away, Bobby Kennedy delivered his speech.

A few hours earlier, the polls closed on the California Democratic presidential primary and the feeling of victory hung in the air. As Kennedy made his way off the stage to meet with the press, the ballroom filled with the exuberant chanting of his joy-filled supporters: RFK. RFK. RFK.

“As he walked off into the pantry area, heading for a press conference, Bobby said: ‘I want you with me,’” Schrade recalls. Once inside the hotel kitchen pantry area, he watched Kennedy extend his hand to greet workers. “Then I got hit,” Schrade says. “I started shaking violently. I didn’t even know that I’d been shot.”

Schrade was shot in the head and taken to Los Angeles’ Kaiser Hospital. Just over 24 hours later, at 1:44 a.m. on June 6, 1968, Kennedy was pronounced dead at Good Samaritan Hospital. After recovering from his injuries Shrade moved out of Los Angeles and into the desert. He set aside the memories of that tragic night for a long time.

Paul Schrade grew up in Saratoga Springs where as a young man he worked nights and weekends at the family floral business, the descendant of which maintains the Schrade name and today stands on West Avenue as the Posie Peddler. “Slave labor,” he says with a laugh. He had a busy scholastic career that included writing for the school newspaper, Oratoga, and being involved in the speech club and photo club, among other organizations. He graduated from Saratoga Springs High School in 1942 and studied at Yale College, later becoming a union organizer and getting involved in the nation’s political scene.

During John F. Kennedy’s election campaign in 1960, Schrade struck up a friendship with J.F.K.’s younger brother, Bobby. “We had a lot of great experiences together,” he says.

The year 1968 was one of conflict in America. “Bob was facing a lot of crises,” explains Schrade. “The anti-war movement, rebellion on campuses, rebellion in the black community; Dr. King had been shot and killed. The country was in horrible shape at the point and Bob provided some hope during this terrible time.”

Vice President Hubert Humphrey would later emerge from a turbulent Democratic National Convention in Chicago to represent his party. Republican candidate Richard Nixon would win the presidency in the general election.

Asked whether he can imagine how the world might be different had Kennedy survived and been elected president, Schrade says, “well he was against the war in Vietnam. He would have ended the war.” One person’s life making such a big difference. “One small bullet made a difference,” he replied.  

Sirhan Sirhan was convicted in 1969 of the assassination of Kennedy and sentenced to death in the gas chamber. The sentence was commuted three years later, when California abolished the death penalty. Sirhan became eligible for parole in 1986 but has been repeatedly rejected.

During the past several years, Schrade has re-focused his attentions on the assassination. Convinced there was a second gunman, he has been pushing for a thorough investigation. “There never was an investigation. They just grabbed Sirhan without evidence or witnesses and refused to go after the second gunman.

“I’m not going to get into conspiracy theories – whether he was programmed or not. Sirhan was there and fired (the first) two shots, missing Kennedy and shooting me. The gun was two to three feet in front of Robert Kennedy according to the prosecution’s own witnesses,” Schrade says. As he was being subdued, Sirhan wildly fired off a number of more shots. In all, six people were shot. The Los Angeles County coroner determined that three bullets struck Kennedy's body and a fourth passed harmlessly through his clothing, CNN reported in a 2012 story sub-titled, “There Was A Second Shooter,” following a 2012 interview with Nina Rhodes-Hughes, a witness to the murder. Rhodes-Hughes said she heard two guns firing during the shooting and that authorities altered her account of the crime.

“It was an eight-shot revolver and Kennedy got shot four times in the back. Sirhan didn’t have the bullets,” Schrade says. ”He was captured out of position. The gun was two to three feet in front of Kennedy and Kennedy got hit at point-blank range in the back. It couldn’t be Sirhan. It had to be a second gunman.

“The prosecution knew this, knew there was a second gunman and didn’t do anything to investigate it. They just did a quickie on Sirhan and sent him to the gas chamber. They were going to murder this guy,” Schrade says. “It was a well-planned investigation in order to convict Sirhan. They falsified the evidence right from the beginning.”

Asked for his thoughts on motivations behind the assassination, Schrade says, “we can only guess at the motivations because we never investigated the second gunman. And I don’t guess at things anymore, only facts and truth. They decided to go after Sirhan. I don’t know why. It could have been for political reasons, but ‘why’ has not been answered.

“I’m 93. The only thing I can do at this point is make a public declaration and try to get the people that have some influence involved,” Schrade says. “Hopefully it will move these organizations to do the right thing, by Kennedy, and by Sirhan.”

SARATOGA SPRINGS – Several dozen David Cassidy fans – some of whom embarked on their journey from a few thousand miles away – descended on the Spa City last weekend to celebrate the life of the late singer who had inspired them with song and for some helped navigate a clear and hope-filled path through a troubled time of adolescence.

Robin Smith, who first watched Cassidy perform onstage in 1972 in Houston when she was a young teenager, came in from Texas. Michael Oliver and Denise Kirth made the trip to the Spa City from Ohio. Marlene Habib brought along copies of her recently penned a 42-page tribute booklet, “David Cassidy: Crazy Over You in Saratoga,” and Annette Trotta-Flynn arrived with an active social media campaign to get Cassidy inducted into the Rock and Roll Hall of Fame. “It’s a labor of love,” she said. “David cared about his fans. We’re continuing his legacy.”

One woman made the cross-Atlantic trip to Saratoga Springs from her home in Belgium. “I saw him in Antwerp in 1973 and it was an extreme experience for me,” related the woman, whose name is Veerle. “I was always a fan, but (as time went on) he wasn’t coming to my country anymore. I wanted to come to the U.S. to see him play, but then the bad news came that he was sick, and then he passed,” she lamented. “I made contact with some of his American fans and learned about this event, so that’s why I wanted to come.”

The event, billed as “A Celebration of David Cassidy’s Life,” was initiated by Samantha Cox from her home in Indiana. After the singer died in November 2017 at the age of 67, Cox said she took on as her New Year’s Resolution a mission to do something to honor Cassidy’s life.

“I chose Saratoga because he was into horse racing and he mentioned it as his favorite place in the world,” says Cox, who previously had never been to the Spa City. Her inquiries led her to the National Museum of Racing and Hall of Fame opposite Saratoga Race Course which Cassidy frequented during the summer meet, and subsequently coordinated a successful social media effort that raised in excess of the $2,500 goal required to permanently place a memorial bench in Cassidy’s honor in the museum courtyard.

Cassidy, who appeared on several TV shows in a non-musical role, gained international stardom after he was cast as “Keith Partridge” on “Partridge Family” sitcom, which was broadcast from 1970 to 1974. He simultaneously launched a solo music career that saw him perform on some of the world’s biggest stages. His passion for equines dates back to the 1970s and frequent visits to Saratoga, where he bought his first yearling and where he eventually purchased a home.

At the same time Cox was mounting her Cassidy campaign, Columbia County based horse owner, breeder and veterinarian Dr. Jerry Bilinski and horse trainer Gary Contessa were also partnering on placing a bench in Cassidy’s honor in the newly named Cornelius Vanderbilt Whitney Courtyard. Last week, both benches were publicly unveiled, and many Cassidy fans made a long weekend of their visit to Saratoga Springs - visiting the museum and then staging a gathering at Spa City Tap and Barrel on Caroline Street Sunday night.    

“On November 21, God called David home, but I like to believe he is looking down today on us and smiling,” Cox told the group of fans who gathered at the Celebration of Life event Sunday night.  

Fans shared reminiscences of long ago concerts punctuated by deafening screams and blinding flashbulbs, as Cassidy jumped and gyrated in a white jumpsuit across the stage. Members of his band offered pre-recorded commentary via an overhead screen and Cassidy’s music was piped into the venue at varied intervals.

An announcement was also made that a special David Cassidy Tribute Concert – featuring members of Cassidy’s band - will be staged at the Horseshoe Inn on Aug. 14. The concert will act as fundraiser for the Thoroughbred Retirement Foundation’s David Cassidy Sanctuary Fund. Cassidy was a supporter of the Saratoga Springs based organization, which was founded in 1983 with a mission to save Thoroughbred horses no longer able to compete on the racetrack from possible neglect, abuse and slaughter.

Dr. Bilinski, who first met Cassidy when the performer brought his horses to Bilinski’s farm, addressed the crowd and spoke of their longtime friendship.

“When David first visited with us, we went out on the veranda and had a cigar – which we did for many years after that. The next morning, I noticed that the cigar as well as the ashtray were confiscated by (my wife) Darlene. That happened to be among a long list of memorabilia that we collected,” he told the attentive crowd.

Bilinski would go on to purchase Cassidy’s Jaguar for his wife Darlene, swap his snowmobile for Cassidy’s jet boat, take up the singer’s invitation to travel overseas and watch him perform in London, as well as end up with a bounty of signed record albums.

“He came to our farm many times. We sat on the porch discussing life and discussing entertainers: The Stones, The Beatles – some of these were heroes of mine back in the day, and he knew most of these people,” Bilinski said. “We would watch the horses, coming in and out from the fields. It became an important friendship for Darlene and I.”

Darlene Bilinski shared her own memories, which spanned from her childhood to the present day. “When I was a little girl, my girlfriend and I had tea parties. One of us would be Mrs. Cassidy and one of us would be Mrs. Osmond. There was a Bobby Sherman in there once as well, I think, but we would usually fight over David,” she said, with a laugh. “He was a great friend, a great guy. I loved him and miss him. I talked to him just before he died. I asked him: Do you want me to come down? He said, ‘No, I’ll be there next summer.’ We know that didn’t happen, but I feel he is with us, this evening.”

“David just loved it here and I can see now why this was his favorite place,” Cox said. “He was an entertainer and performer, but he was so much more to us, like a friend, there at down moments of our lives with a caring heart…I had an extremely difficult childhood. David’s music lifted my spirits. It inspired me to not give up.”

It would be inaccurate to hear a fan’s appreciation for Cassidy and categorize it simply a walk down memory lane. Many who attended the weekend events in Cassidy’s honor spoke of the music as an inspiration that helped transcend awkward and often difficult times: an escape, perhaps, or a technique more likely to carve of their own a new reality. And it was to the person who had provided this hope, to whom they were paying tribute.

The May 20 event was initially intended to be a one-time gathering, but in its aftermath, Cox expressed the desire to turn May 20 in Saratoga Springs David Cassidy Day into an annual event.

The David Cassidy Tribute Concert concert, featuring members of Cassidy’s band, will be staged Aug. 14 at the Horseshoe Inn. Tickets are $50 and are being made available via the Thoroughbred Retirement Foundation’s web site. 

Susan Cox remembers those magical nights, eyes fixed on the television set in her grandparents living room in Indiana, waiting to see what kind of musical mayhem would ensue. On the screen, a single mother of five alternated sitting behind the wheel of the family’s multicolored school bus and “playing” the piano to lead her musically imbued children in song.

It was the eldest sibling, played David Cassidy, who most captured the attention of Cox, as well as millions of others across America.

“I had watched him on TV dramas like “The Mod Squad,” and “Marcus Welby, M.D.” and he was a dramatic actor of course, but from the first time I heard David Cassidy sing, I thought he was phenomenal. And ‘The Partridge Family’ I watched religiously, every Friday night, with my grandparents. My grandmother used to say: ‘He’s so nice-looking, but he needs a haircut,’” she says with a laugh.

“I was a fan since I was 11 years old. I had an extremely difficult childhood, and my grandparents raised me. David’s music lifted my spirits. It inspired me to not give up,” Cox says. “I’d sit in my room and listen to his music like every other teenage girl at the time. We were all David crazy.”

Cassidy launched a solo music career and following the “Partridge Family” sitcom TV show run, which concluded in 1974, Cassidy also resumed his acting career as well as following his love of horses. His passion for equines frequently brought him to Saratoga, where he bought his first yearling and where in 2001 he purchased a home.  

“When David passed away in 2017, I felt the need to do something,” says the 60-year-old Cox, who worked at Notre Dame for 12 years, a handful of them in a fundraising capacity. “He gave so much of his life to his fans. He talked about how he loved us, and he knew we loved him. I chose Saratoga because he was into horse racing and he mentioned it as his favorite place in the world, so I started calling places in Saratoga Springs looking for a place to put a (memorial) bench.”

Her inquiries led her to the National Museum of Racing and Hall of Fame, which sits on Union Avenue directly across Saratoga Race Course which Cassidy frequented during the summer meet. Honoring Cassidy with a bench – the singer died in November 2017 at the age of 67 - would require Cox raising $2,500.

“It was my New Year’s resolution to do something for David. I opened a public Facebook page on Jan. 15 – the David Cassidy Memorial Bench at The National Museum of Racing. I think the first day it had 300 people liking the page. And it just kept going. Donations have come in I had People from Germany, from Malta, South America – Mexico, Columbia and Brazil – I’ve made so many new friends,” Cox says. “By January 30, all the funds were raised. Donations were still coming as of late April and all the excess goes directly into the annual fund in memory of David. I’m hoping I raised a lot of money for the museum because they were so gracious.” Following Cassidy’s lead, Cox says she has also embraced the Thoroughbred Retirement Foundation, which provides sanctuary to hundreds of horses across the country.

The bench was unveiled Thursday night in the revitalized museum courtyard, which has undergone a winterlong renovation. And in recognition of a $250,000 gift from prominent racehorse owner, philanthropist and Saratoga icon Marylou Whitney, the National Museum of Racing and Hall of Fame named its courtyard in honor of Marylou’s late husband, Cornelius Vanderbilt Whitney – who was among the museum’s founders in 1950 and served as the institution’s first president. The Cornelius Vanderbilt Whitney Courtyard will feature two benches honoring Cassidy. One is the result of a partnering between horse trainer Gary Contessa – who has more than 2,200 winning races under his belt - and Columbia County based horse owner, breeder and veterinarian Dr. Jerry Bilinski. The other Cassidy bench has been dedicated by singer’s fans, who will be flocking to the Spa City during the weekend.

David Cassidy Fans’ Day at Museum on Sunday

“Sunday, May 20 will be our day to see the bench and reflect on his life,” Cox says. The museum has set a 2 p.m. to 4 p.m. window on Sunday specifically to welcome Cassidy’s fans. The courtyard will be open to the public and admission is free.

“David has got fans worldwide and there are people from Germany, from Great Britain and from Canada who are coming to the event,” says Cox, who will be making the 730-mile trek from her home in Indiana. A private Celebration of Life Event, featuring guest speakers and fan reminiscences will take place later Sunday night.

“When I started the campaign, I hoped and prayed that we could get this for David, this permanent memorial tribute to him. He was more than an entertainer, he was a good person with a good heart,” Cox says. “From the moment I reached out to the museum, they have been so gracious. I know that we’ll have an awesome time in Saratoga Springs. Your people up there are really phenomenal.”

SARATOGA SPRINGS – Garage sales. Flea markets. Estate sales. Tony Izzo has rummaged through the past on a scavenger hunt to uncover history for as long as he can remember.

“I go to several of them a week and collecting things since I was a kid,” says the city resident, who works by day as a local attorney. “I especially enjoy collecting audio, and there is a lot of audio history out there - things that sat in someone’s attic or garage - but the problem is when people find this sort of stuff they can’t find anything to play it on, so they throw them out without knowing what they are.”

At one local sale he came upon a slew of boxes filled with audio tapes with no idea what they contained. “Nobody was paying much attention to them. I ended up buying five or six boxes and only paid a few dollars a box,” he recalls. “There were hundreds of tapes - 90 percent of them were re-recordings of commercial albums, but I learned there were also tapes from the estate of a man who was a local radio broadcaster and his collection had things he had accumulated throughout his career.”

The broadcaster was Herb Sabin of the radio station WKAJ AM 900, which was located on West Avenue in Saratoga Springs. Several hours’ worth of tapes revealed a local historical goldmine.

In the mid-1970s Saratoga Race Course hosted a series of 10-day events during consecutive summers in advance of the racing meet. The festival, called the Saratoga Fair, featured art exhibits and parades, firework shows, live animals, a children’s petting zoo, and nightly performances by some of the biggest entertainers of the day.

“The Saratoga Fair was a significant event in the 1970s for NYRA and for this city,” Izzo says. “I went to a number of them with my folks. For a few bucks you had access to the fair grounds and a major headline entertainer each night.”

A bandstand erected on the dirt track staged appearances by Johnny Cash and Glen Campbell, Bob Hope, Red Skelton, and The Smothers Brothers; Mickey Mantle, Willie Mays and O.J. Simpson came from the sports world to sign autographs. Each of the festivals drew more than a quarter of a million people over the 10-day gathering.

Sabin’s tapes feature the broadcaster’s rough-cut interviews with dozens of fair-goers, celebrities and local officials. George Bolster talks about his collection of historic Saratoga photographs, Tom McTygue speaks of the festival as being “a real boost for Saratoga,” Edward Villella, introduced by Sabin as “one of the most in-demand dancers in ballet,” is interviewed about the New York City Ballet’s summer season. Bob Hope talks about sustaining patriotism in the era of Watergate, cracks a few jokes about his stay at the Gideon Putnam hotel, and reminisces about his early days of struggle in Chicago during the 1920s.

“To me this is a very comprehensive and thorough audio history of this event that has not been very well documented. Just to hear the sounds of that event. I’m very pleased it’s preserved, instead of it just being thrown away in the trash,” Izzo says.

There are also interviews with singer Donna Fargo – who then had recently had a hit with the song "The Happiest Girl in the Whole USA," “Tonight” show bandleader Skitch Henderson, and excerpts from Red Skelton’s live stage show.

Bandleader Mercer Ellington charmingly talks about performing the songbook of his father, Duke Ellington: “mostly the standards, like ‘A Train,’ things that are easily identifiable – we’re not going to get far out and play any modern jazz or anything of that sort. We’re going to play the favorites for the people and the things they know him best for.”

The 1974 and 1975 festivals drew 254,000 and 293,000 people, respectively, and were co-sponsored by NYRA and Harry M. Stevens Inc. – who collectively invested about $1 million in the project each of the years. Joe Dalton, executive vice president of the Greater Saratoga Chamber of Commerce estimated the annual fair brought in to the local community about $3 million. But NYRA and the Stevens company bowed out after two years, citing a loss of $1.3 million. The 1976 fair was sponsored by a non-profit organization comprised of local residents and business owners. That season, too, resulted in a financial loss and in January 1977, the group announced the fair would be no more. Whether it was ultimately financial concerns, the trampled grounds of the race course in advance of the summer meet, or complaints from other area venues that ultimately doomed the fair isn’t clear, but after a three-year run it ceased after the Bicentennial Summer of 1976.

Other Voices, Other Rooms

Through his foraging, Izzo has uncovered a plethora of additional raw goodies on reel-to-reel and cassette tape. Whether they were publicly broadcast, or played once and disposed of, is not known. Among his collection are backstage interviews with Tommy and Jimmy Dorsey dating to 1956, and Johnny Mathis and Tony Bennett in 1960; Aaron Copland and Helen Hayes in conversation at Skidmore College; talks with Lloyd Bridges - accompanied by his pre-teen son Jeff Bridges, writers Joseph Heller and Frank Sullivan in Saratoga Springs, musician Count Basie in Glens Falls, and actress Jayne Mansfield who talks about her role in a production of “Nature’s Way” in the 1960s as well as how she is required to film two versions of her movies – one for open-minded European audiences, and one for the more conservative American market.

There is also a reel-to-reel tape Izzo possesses of a high-quality live Arlo Guthrie appearance in October 1975 at the Great Saratoga Music Hall, which stood at 106 Spring St. and has long since been converted to condominium apartments. The tape depicts stage announcements by Lena Spencer – the co-founder of Caffe Lena - introducing Guthrie and announcing upcoming concerts at the hall by Tom Paxton and Don McLean.

Guthrie meanwhile is heard joyfully interacting with the audience throughout his show and performing Bob Dylan’s “Don’t Think Twice It’s Alright,” Woody Guthrie’s “Talking Dust Bowl Blues,” “Do Re Mi,” and “This Land Is Your Land,” and a series of tunes carved from the great American songbook -“Swing Low, Sweet Chariot,” “Oh Mary Don't You Weep,” and “Goodnight Irene,” among them.

“Here’s what I learned,” Izzo says, “the lesson is if you come across something and don’t have the means to play it – think twice before throwing it away. It may be something significant. You just never know what you’re going to find.”

A partial list of entertainers performing at the Saratoga Fair.

1974 – Johnny Cash, Bob Hope, Red Skelton, Glen Campbell, Tony Orlando & Dawn, The Smothers Brothers, Mac Davis, Anne Murray, Willie Mays, O.J. Simpson. Admission: $2 adults, $1 kids. Parking: $1.

1975 – Olivia Newton John, Lynn Anderson, Mac Davis, B.J. Thomas, Red Skelton, Tanya Tucker, Roger Miller, the Mills Brothers, Bob Hope, Hudson Bros. Sports clinic, Q&A session with Mickey Mantle, Dave DeBusschere, Craig Morton, Ralph Kiner, Emerson Boozer. Admission: $3 adults, $1.50 kids. Parking: $1.

1976 – Johnny Cash, Fifth Dimension, Tanya Tucker, Donna Fargo, Anson Williams of Happy Days, Charlie Rich, Pat Boone Family. Tickets: $3.50 adults, $1.50 kids. Parking: $1.  

SARATOGA SPRINGS – A Gov. Cuomo directive to explore raising the wages of tipped food service workers to a flat rate is drawing the ire of many of the local workers for whom the idea was supposedly initiated to benefit.    

“What the motives are I don’t know, but it’s apparently been presented to Cuomo like he’d be doing us a favor,” says Amanda Broderick, who has worked in the local restaurant industry for 16 years, the past nine at Olde Bryan Inn. “The servers aren’t asking for this (and) it would just devastate the local economy. They’re not doing us a favor.”

In upstate New York, the general hourly minimum wage is $10.40 per hour. Tipped food service employees make $7.50 per hour, before tips. When tips are added, many workers say they are capable of earning much more than the state minimum wage, based on the level of service they provide to customers. Besides wait staff earning more, this also enables restaurants working on slim profit margins to save the $2.90 difference per employee, per hour, as a “tip credit.”

The proposal to raise tipped food service workers to the general hourly minimum wage would eliminate that tip credit - forcing restaurants to pay more while assuming workers will earn less, and set into motion a decline in the labor force as well as restaurant service, and higher prices for dining consumers, the workers say.  

“The best part of this industry is the relationships you build,” Broderick says. “And I do try to build those relationships because you get rewarded for the service you provide. I know the harder I work, the more money I can make.”

Broderick and her husband recently bought a house on the Great Sacandaga Lake. The daily commute to Saratoga Springs takes 45 minutes to one hour, but it is a trip that is worth it, she says, because the hours are flexible, the staff is passionate, and the money Broderick is able to earn helps pay the mortgage. One of the workers’ concerns is that if their basic wage is raised to the state minimum, tips would cease to exist.

“Right now, a lot of us make way more than the minimum wage. The tip credit helps restaurants pay a lower wage and keep prices down. What would happen is we’d end up making a lot less, menu prices would go up and eventually the mom and pops that Saratoga has so many of would have to close,” Broderick says. “If (Gov. Cuomo) is trying to find extra tax revenue, think of all the taxable income that would be lost in places like Saratoga. You don’t want to mess with a good thing.”

The Employee Policies Institute, a non-profit research organization that studies public policy issues surrounding employment growth, cites Census Bureau data that indicates tipped restaurant servers self-report earnings of more than $17 per hour on average statewide in New York, and suggests those estimates “are likely conservative.”  

Susan Mezera has worked as a server for the past 43 years, from the former Lillian’s Restaurant to her current position at the Olde Bryan Inn. Working in the industry has helped her put her two children through college.

“When the public hears servers get minimum wage, people will have the perception that it won’t be necessary to tip,” Mezera explains. “People have mortgages and car payments. They’ve established their lives on the income they make, and that will drastically change. It’s already been practiced in other places and it didn’t work. Maine instituted this and a year later repealed it because it was such a disaster.”

In November 2016 a referendum to raise both the regular and tipped minimum wages in Maine won with 55 percent of the vote. Soon after, tipped servers began to complain that their earnings were being hurt as a result of customers tipping less. The measure was overturned in June 2017 in 110-37 vote by lawmakers.

Increased Costs for Restaurants

“For the restaurants, it would mean a large increase in labor costs. You’re looking at 30 servers and bus people in just one restaurant who are tipped employees - and restaurants are working on a small margin as it is. They may have to raise menu prices and put service charges on top of the bills to cover that. Servers would be let go and they’d probably do away with bussers and hostesses. The work would be spread real thin,” Mezera says. “With more tables to take care of, the quality of service will go downhill. If this happens and then at some later point they decide, ‘oh, this is not working,’ how many restaurants will have gone out of business? This is a busy town with the City Center, with it being a college town and there are a lot of restaurants. If half of them are gone, how many people will be laid off and out of work?”

A locally initiated online petition at change.org titled “Supporters of the Tip Credit in New York” has secured more than 7,000 signatures, and a collective group of business owners and employees urging Gov. Cuomo to preserve the Tip Credit have formed the Save Ny Tips Coalition, which hosts a web site and numerous social media pages with the hashtag: #savenytips.

“I think the group that’s really pushing it is a minority of people working in the restaurant industry who are Cuomo’s voter demographic in New York City. I think it’s purely political,” says Giuseppe Chiaravalle, who works at Wheatfields Restaurant.

“Look at it this way: when you go to a restaurant, you want to be wined and dined, you want good service. Going to a restaurant is an experience: the food, the ambience, the service. Servers know through their hard work, they can provide a superior experience to a customer and that they can get compensated for it with a tip,” Chiaravalle says. “I am willing to take less pay from the business knowing that through my hard work, I can actually make more and lift myself. I know I can work as hard as possible and see the results. Why would you take that incentive away?”

Workers say while they would earn a few dollars more in the raising of the minimum wage, the public would tip less, if at all. And without the incentive to earn tips, many would seek other opportunities in less challenging fields.  

“On a track Saturday, where you’ve got five, six different tables and you’re running around the restaurant with 10 things in your head, why would you do all that if you’re only getting paid minimum wage, when you can make the same amount standing at a cash register,” Chiaravalle says. “The hardest working people will look to find a job that’s easier for the same pay. Service will go down because the best of the best are leaving and prices will go up. It’s not a situation where anyone wins.”

Higher Menu Prices

“It definitely would not be good for tourist places like this,” says Saratoga native Brayden Bosch, who has worked in the industry 11 years. “People come here for the track, but they also come for the nightlife-dinner side of it, and it wouldn’t be what they’re looking for anymore. The owners would have to pay a lot more, the workers who remained would be less enthusiastic and on top of that your food would cost more. So, people might not have to tip - but your $20 meal might cost $30 now. Before you could pay $25 with tip and everybody is happy.”

On the restaurant business side of things, the elimination of the tip credit would cost owners more money to meet the minimum wage gap, and those costs will continue to rise. The general hourly minimum wage in upstate New York is scheduled to increase to $11.10 at the end of this calendar year, up to $11.80 in December 2019, and to $12.50 one year after that.

“It would be disastrous,” says Nicci Miller, general manager at Wheatfields Restaurant, who began working in the industry 25 years ago as a busser at Lillian’s.

“You would have a whole group of working people who would lose everything. You have the restaurant owners who could potentially lose their business. Then you have the consumers who will lose every level of service they’re used to. All across the board, it’s a very bad idea,” Miller says.  

“From a management perspective, raising wages by that much would be disastrous. In reality, it would stop being the hospitable town we are – which is part of Saratoga’s charm, that face-to-face interaction with people. There’s that communication as a server: where to stay, what to do, what to eat. You’re the visitor’s booth and you’ll lose all of that. It would change service in the entire state of New York,” she says.

And it’s not just the waiter or waitress you visibly see at the restaurant who would be affected, Miller explains. There is an entire support staff who depend on tips.

“You tip out the server 20 percent. From that, he tips 3 percent of that to the bar, because they’re making his cocktails, 2-1/2 percent to the busser who fills his water and clears his dishes, and another 1-1/2 to 2 percent to your food runner, who’s the person who brings the food to the table. It’s such a big circle, everybody takes a piece of it. And they all earn that money, they really do,” she says. “There’s a perception you have a restaurant owner that makes all this money, but in this business, you’re literally making pennies on the dollar.”

Gov. Cuomo previously raised the tipped workers’ minimum wage from $5 per hour to $7.50 in 2016. “We just took a 50 percent increase, and at $7.50 it’s one of the highest in the country,” says Tim Holmes, who with his wife Colleen owns and operates three restaurants in Saratoga Springs and four restaurants overall in Saratoga County.

“I ran the numbers on my company and if he was to pass this to go in effect in 2019 it’ll cost our company about $300,000. And that’s only the first jump before it goes up again,” Holmes says. With a slim profit margin, that amount would have to be made up potentially by reducing jobs and increasing prices. “But I’m not sure that we even can make all of that up,” Holmes says. “It’s a devastating number.”

Gov. Cuomo directed the Commissioner of Labor in December to schedule public hearings to examine industries and evaluate the possibility of ending minimum wage tip credits in New York State. The Department of Labor will be conducting those public hearings on Long Island on April 20, in Watertown April 25, Syracuse on April 30, Buffalo on May 7, and at the Legislative Office Building in Albany on May 18.  

“Through the years you learn that your quality of service - how you take care of your customers – directly relates to the amount of money you can make,” Mezera says. “People go out to dinner for the experience: to be waited on, to interact with the server. You build up relationships through the years. They come in and ask for you. You’re able to share their special family moments, because you’ve established that amount of care with your customers. If they just wanted food they could go to a drive-through, or the places that have iPads on the table – which is what could happen if this goes through,” she says. “People are coming out and it’s our job to make them feel better, to have them enjoy their meal and to go out with a smile on their face.”

Correction: an earlier printed edition and online posting of this story contained a misspelled name of an interviewee. It has been corrected in this online edition. 

SARATOGA SPRINGS – Health, history, horses. And The Arts.

With the awarding of a $14,000 economic development grant this week, the city took the first step to promote Saratoga Springs as a worldwide destination for arts and culture. Finance Commissioner Michele Madigan calls it “having some skin in the game.” And that game has proven to bring in a notable return on the investment in other communities.

“Saratoga Springs is a fabulous brand. We’re over 100 years old and so is ‘health, history and horses.’ These are strong brands that you don’t want to get away from, but we need to add to it with arts and culture,” Madigan says.  

The funds will support the Saratoga Performing Arts Center in the hiring of a public relations firm to promote the city as a thriving arts community to journalists and media beyond the Capital Region. The goal is to showcase all of Saratoga as a cultural hot-spot and entice visitors to journey to the region.

“Cultural tourism – the cultural tourist spends 60 percent more when they go someplace than the average leisure tourist does. Sixty percent more. We want culture to be an economic driver here the same way the track is, and there’s no reason why it can’t be that, and a lot more,” says Elizabeth Sobol, president and CEO of the Saratoga Performing Arts Center.

“I know there are many, many people out there looking for a place like Saratoga as their summer or winter destination who would just be up here all the time, if they just knew what was here,” Sobol says. “This is one of the most incredible places in the world for someone who cares about the arts and literature and green space. I go back to the perfect confluence of nature and art, man-made beauty and natural beauty, there’s nothing like this in all of North America. “

From Caffe Lena to SPAC, the Tang Museum, Yaddo, the future home of the Universal Preservation Hall and other amenities, the community has much to offer, Sobol says. “All this art just one beautiful trip up the Hudson River from Manhattan. That’s a big selling point to New Yorkers who want to get out of town.”

Commissioner Madigan says she sees the awarding of the funds as one piece of a larger plan. “When you think Saratoga Springs, what do most people think of? They think horses. And that’s great, but we also really want to attract the cultural tourist by putting the arts and culture focus on that same level as horses,” Madigan says. “Right now. I see this as first step. I have a bigger vision where we start getting stakeholders and key members of the community in a room to talk about who we are as a region, to start coming together as a whole as an arts and culture community and to market ourselves that way, to add to the health, history and horses brand. The Berkshires know who they are. Tanglewood is well marketed as a global venue. From a global, international tourist destination, we don’t really know who we are when it comes to arts and culture.”

Recently, the local arts took a hit with the announcement of the cancellation of the annual Hats Off and Final Stretch music festivals. And promoting the arts in Saratoga Springs is not always an easy thing.

Saratoga Springs resident Robert Millis first launched the American Music Festival in Lake George in September 2014. Facilitated through his 398 Group – which stresses the arts as a driver of economic development and community building – the idea was to bring thousands of people into the community and extend the tourist season. Lake George is located in Warren County and financial support for the festival was provided via monies collected in the North Country for the tax on the rental of rooms. It proved to be a success.

This summer, the festival – which has featured performers such as Blue Öyster Cult, New Riders of the Purple Sage and Sawyer Fredericks in the past – returns for its two-day stint, and based on the success of the music-as-economic development initiative, the village and town of Lake George have contributed $45,000 in grant funding via the “bed tax” to Millis’ group.

“Their philosophy is bed tax funds events, which in turn feeds the bed tax,” Millis says. The village of Lake George is providing funding for a couple of events. “It’s a big boost,” said village Mayor Robert Blais. “It’s helped us to extend the season.”

Like other Warren County municipalities, the village of Lake George and the town of Lake George each receive $30,000 annually to promote special events in their communities with the idea of bringing in people that will spend money in local businesses and stay at local hotels, says Blais, who also serves as chairman of joint village and town occupancy tax committee. And the return on the investment has been strong. After the events take place, receipts and taxes received are then distributed back to the communities in addition to the $30,000 flat fee to promote a new cycle of events. In the village of Lake George that return was about $185,000, Blais said; the town of Lake George received approximately $240,000.

Millis’ attempts to create a two-day music-based festival in his Saratoga hometown has proven to be more difficult. The proposed event and conference would be designed to help boost tourism and build a music ecosystem to enhance the local scene. “I’ve been floating that idea in Saratoga a for over a year, but nobody has jumped on board with me,” Millis says.

“Our (bed tax) money has already been sliced and diced and it happened long before I got here, but it’s an interesting concept,” Madigan says. “Our occupancy tax right now is split. We only get one percent. Two percent from occupancy tax goes to the City Center and two percent goes to convention and tourism. It goes directly to them. We get less than City Center and convention and tourism. The city gets $600,000, they’re getting $1.2 million each. So, I’m trying to get them on board with helping with the arts. Look, the city’s got some skin in the game so let’s get the chamber and convention and tourism also involved.

“To me, the arts is a huge part of economic development,” Madigan explained. “It’s untapped. This I think is economic development, under the guise of arts and culture. This is a first step. I look forward to coming forward with additional recommendations to support economic development and arts and culture as an aspect of that. “

SARATOGA SPRINGS – A robbery allegedly occurred Wednesday afternoon at the main branch of the Adirondack Trust Company bank.

Authorities were notified at about 12:20 p.m. that a white male passed a note to a teller demanding money and subsequently left the bank with an undisclosed amount of cash. No weapon was displayed.

Police describe the man as being “over 6 feet tall and having a bigger frame.”  His jacket was emblazoned across the back with the “Petraccione Plumbing and Heating” company logo.

Police ask anyone with information regarding the incident to contact the Saratoga Springs Police Department at 518-584-1800 or, to remain anonymous, call 518-584-TIPS.

Two previous robbery attempts - in 2007 and in 2010 - occurred at the Broadway branch of the bank, which is located at 473 Broadway, one block from the city police station.  

In July 2007, Moreau man Rick Massey handed a teller a threatening note, escaped with nearly $7,000 cash, and fled to Nashville, Tenn., where he turned himself in to police, six days after the incident.

In October 2010, a 57-year-old city man who proclaimed himself to be "a non-violent bank robber" walked into the branch and handed a note to a teller that read, "Give me all your money and God will love you." After the teller gave him nearly $7,000, he put the money back on the counter, made several incoherent statements to bank employees, and exited the bank without any money in hand. He fled on a bicycle, headed west on Church Street and was apprehended by police three blocks later.

The scene outside the Adirondack Trust Co. bank Wednesday afternoon: