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SARATOGA SPRINGS – Touching upon themes of the Tibetan Book of the Dead, her love of dogs, her disdain for pop culture and a human planetary existence altered in dramatic ways due to a changing climate, artist/composer/musician and film director addressed a large crowd gathered inside the Tang Museum’s Payne Room where she told them, apocalyptic visions aside, her focus is: How Best To Tell The Story.

“The world is made of stories. Our own stories. Other people’s stories, (so) how do you tell a story like that, where, you know, this is going end?” Anderson said. “We’re the first people in the history of the human race who can see our own extinction coming. The first ones. Stories are things that are told to others but in this case, this is a story that’s told to no one. The first story that is:  Told. To. No one.”

Anderson’s appearance April 17 was the night two feature of the Tang Museum’s three-day Bardo Now series. George Saunders, author of the 2017 novel “Lincoln in the Bardo,” appeared via video chat on night one, in conversation with Donald S. Lopez, Jr., professor of Buddhist and Tibetan Studies at the University of Michigan and author of “The Tibetan Book of the Dead: A Biography.”

The series’ closing night featured a concert by guitarist Tashi Dorji and percussionist Susie Ibarra, performing an experimental duet conceived for the event as a musical bardo exploration.

The 90-minute presentation showcasing Anderson, a practicing Buddhist, was staged as an “in conversation” event with Benjamin Bogin, the director of the Asian Studies Program at Skidmore College.

“It’s the living bardo that’s thrilling to me,” said Anderson, when asked to connect Tibetan Buddhist themes with her creativity. “As a musician, I think the way I can most experience what you would call a bardo is in just this moment - because you don’t know what you’re going to play next,” said Anderson, noting that she doesn’t subscribe to the standard narrative form of beginning, middle and end. “That seems artificial to me. The fractured story is what I do. I respond to work where we don’t really quite know what we’re doing and what will happen next. That’s also why I’m also drawn to virtual reality. You’re making it up as you go along.

“When I first began to (improvise), I felt this incredible sense of freedom in not knowing what was going to come next, in responding to another person in a way that was absolutely in that moment - not in some other moment that you thought might be interesting - but right now. That was a big, big thrill to me as a musician.”  

Anderson screened an 11-minute segment from “Heart of a Dog,” her 2015 documentary which centers on Anderson's remembrances of her late beloved dog Lolabelle, and concludes with an image of husband Lou Reed, who died in 2013.  

“It was a film where my dog died – that was the core of it – but it was really dedicated to my teacher, Mingyur Rinpoche. One of the things I treasure about his teachings is his clarity, things like: it’s really important to practice how to feel sad, without being sad - and that distinction is a very important one because there are many, many sad things in the world and if you try to push them away, or pretend they’re not there, you’re an idiot! They will find you and they will get you,” she explained. “So, (Rinpoche’s) idea is: do not become that yourself.”   

Professor Bogin said he was struck by the film’s exploration “visually, sonically and poetically,” of bardo ideas, as Anderson narrated a series of paintings used in the film depicting Lolabelle’s journey through the 49 days of the bardo, “how memory starts flooding through the mind and you’re suddenly every single being that you’ve ever been in your life; the many beings that you are, simultaneously. 

“I think for most people who experience death, what an incredible privilege it is that that door opens…you get this chance to really look at it and feel it,” Anderson said. “I think sometimes experiencing time and death and love is sometimes easier when you look at what happens with animals and what the effects have on those creatures. You get that in a more immediate way.”

Anderson became a reluctant musical hit-maker in the early 1980s when her song “O Superman” climbed to no. 2 in the UK Pop charts alongside the likes of Rod Stewart, Elvis Costello, and The Police. It was a record she made on a $500 NEA grant in 1980.

“Anytime somebody said, ‘I want a copy of your record,’ I would walk it over to the post office. One day someone called, they spoke with a British accent, and they said: we need some copies of your record. I said, ‘OK, how many?’ They said: 40,000. by Monday.  And another 40,000 by Wednesday. I’ll. Get. Right. Back to you,” Anderson recalled. 

“So, I called up Warner Bros. Records – they’d been coming to my shows and saying: don’t you want to make a record?  I said, no, not really. But, I called them up and said: you know that record you wanted?  Can you make a bunch of them really soon? And they said: well, that’s not the way we do things at Warner Bros Records and Tapes. We’ll sign an eight-record deal. What?

“I got a lot of criticism from artists, for ‘selling out.’ A couple of months later, it was called ‘Crossing Over.’ And everyone wanted to do it.”

The song, based on a prayer by French composer Jules Massenet is about the power of technology, and of loss, Anderson said. “Technology doesn’t save you. If you think technology is going to solve your problems, you don’t understand technology - and you don’t understand your problems,” she said.

“It was really about the moment when we were going to go in and rescue the hostages. And America was going to go in and pull them out and American technology was going to shine. Then the helicopters crashed and burned in the desert,” she said, regarding the ill-fated military rescue attempt in April, 1980.

While that international success of the record made it easier for Anderson to create other things, she warns there is also a danger

“Pop Culture,” she says with disdain. “What happened? Corporate America has entered culture. It’s disturbing to me, because it’s Culture Light. It’s America’s Got Talent culture. Nothing wrong with that except when they come into your neighborhood and go: we love the community you built and now we’re going to buy it, we’re going to brand it, and sell it back to you. And we’re going to curate it while we’re at it and say what’s important and what is not.

 “We have to think about what we’re making. Now, often you see it’s just about the box office -how many people get through the doors – and it doesn’t really matter what the experience is. I do think that there’s art for everybody – but it’s a tricky thing, to make sure that it’s not just so watered down that it’s just feel-good stuff.” 

The Frances Young Tang Teaching Museum and Art Gallery is located on the campus of Skidmore College On exhibit through May 19: The Second Buddha: Master of Time presents the story of the legendary Indian Buddhist master Padmasambhava - widely credited with bringing Buddhism to the Tibetan lands. The exhibit features Tibetan scroll paintings (thangkas), textiles, and manuscripts from the 13th through 19th centuries.

SARATOGA SPRINGS – The North Broadway building that has served as a Masonic Lodge for the past 65 years is being placed up for sale.  

Rising Sun Lodge No. 103 was founded in 1809 and first held meetings at Reynolds Corners, located about four miles north of Gansevoort. The lodge moved to Wilton a decade later and in the 1820s relocated to Saratoga Springs, long before Saratoga Springs became a city. Several different venues  in and around Saratoga Springs were used for more than a century that followed, before eventually purchasing the building at 687 North Broadway in the early 1950s, where the Rising Sun lodge has been located ever since. 

“Past Masters” of the local organization have included prominent 19th century Saratogians Reuben Hyde Walworth, Carey B. Moon - of the invention of the potato chip fame , and Edgar Truman Brackett, among others.    

The lodge sits on just under one-half acre of land on a corner lot, features two floors, an attic, an unfinished basement and is listed at $1.3 million.

“It’s 8,000 square feet with an unfinished floor in the attic that could be amazing. We believe whoever buys this is going to finish that third floor,” said Joann Potrzuski Cassidy, licensed associate real estate broker at Julie & Co. Realty.

The main floor features 10-1/2-foot-tall ceilings in a Lady's Sitting Room, and a butler's pantry. There are a quartet of fireplaces throughout – although some work will be required to get them re-functioning. Its potential future uses are seemingly endless: from a single-family home with nanny quarters or a neighborhood bed-and-breakfast, to an organization’s use as a private school, religious institution, or senior housing facility. A unique split staircase to the second floor lends itself to potential as a condominium project – although that would require Special Use variance from the city’s Land Use Boards.

The single staircase splits on the first landing and leads into two, opposite direction leading staircases, each feeding into a different and separate wing upstairs. One leads to a big, unfinished attic that boasts arched windows; the other to a massive meeting room where members meet and sites an altar in the center of the room, seating for the Worshipful Master against the east wall, the Senior Warden against the west wall and symmetrical rows along the north and south areas where members are seated. The Masons use ritual in their meetings and a Volume of the Sacred Law – usually the Bible, King James translation sits atop the center-room altar, but Masonry is not a religion. 

The home was built in about 1904 for Harry S. Ludlow, of Troy, and designed by architect R. Newton Brezee – designer of dozens of Saratoga Springs buildings, including many residences still standing along Union Avenue and North Broadway.

The Masons, or Freemasons, call themselves members of the largest and oldest fraternity in the world. Specific details regarding the group’s origins are murky, although it is believed likely to have come from the guilds of the stonemasons in the Middle Ages, and possibly influenced by the Knights of Templar – described by the Masonic Information Center in Maryland as Christian warrior monks formed in 1118 to help protect pilgrims making trips to the Holy Land.  A formal organization was initiated in England in 1717 and spread to the colonies within a few short years.

Masonry has a reputation of being “secretive” – there are grips and passwords that Masons share with one another – but Amy Lynch, president of the Masonic Hall Association of Saratoga Springs, says the biggest secret is the good work they do, particularly in the medical field.

“We’re the best-kept secret and we do a lot of good in the community,” Lynch said.

Under the banner of the Masonic Family, the Rising Sun Lodge is involved with the Masonic Medical Research Laboratory in Utica; the Washington Commandry is part of the Knights Templar – whose  philanthropic projects involves the Knights Templar Eye Foundation; the Cryptic council works with Parkinson’s disease research, and the Royal Arch Masons are also part of a medical research program.

Of the women’s groups – the Order of the Eastern Star – whose members include women and men, has had a regional chapter for the past 122 years and maintains a campus in Oriskany that houses a day care facility for children and independent living accommodations. The Order of the Amaranth focuses its philanthropic energies on diabetes research.

Perhaps best know are Shriners International – the fraternity based on Masonic principles and support of Shriners Hospitals for Children, at 22 locations throughout North America.

Masonic Hall Association Board Member Harold Goodsell says Rising Sun Lodge No. 103 – which is not a tax-exempt organization - is looking to relocate close to but not in the city of Saratoga Springs, to a smaller building that would be more accommodating to members and may actually construct an entirely new building to suit its purposes. 

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SARATOGA SPRINGS – Renowned performance artist and practicing Buddhist Laurie Anderson will take part in the Tang Museum’s Dunkerley Dialogues on April 17 – night two of the museum’s three-night “Bardo Now” events.

Anderson first gained widespread attention with her song "O Superman," in the early 1980s. Other major recordings include “Big Science,” “Mister Heartbreak,” “Strange Angels,” and “Home of the Brave,” among others.  Major performance pieces include United States I-V, Empty Places, The Nerve Bible, and Songs and Stories for Moby Dick.

Anderson spent time in the early 1970s as an artist-in-residence at the ZBS Foundation’s 33-acre complex on the Hudson River between the villages of Schuylerville and Fort Edward. Anderson met songwriter Lou Reed in the 1990’s and the two were later wed. She released her emotionally moving and highly acclaimed documentary film “Heart of A Dog” in 2015.

The Tang Museum, “Bardo Now,” April 16-18.

Schedule:

- 6 p.m., Tuesday, April 16 - A discussion of George Saunders’ acclaimed novel, "Lincoln in the Bardo."

- 6 p.m., Wednesday, April 17 - A talk with performance artist and practicing Buddhist, Laurie Anderson and Benjamin Bogin, director of the Asian studies program at Skidmore College.

- 6 p.m., Thursday, April 18 - Concert by guitarist, Tashi Dorji and percussionist, Susie Ibarra, performing an experimental duet conceived for this event as a musical Bardo exploration.

Events are free and open to the public and are held in conjunction with the exhibition “The Second Buddha: Master of Time,” which explores the life, legend, and legacy of Padmasambhava, a tantric master who is an iconic figure in Tibetan culture, celebrated as “The Second Buddha” and credited for bringing Buddhism to Tibet. The concept of the bardo is described in “The Tibetan Book of the Dead,” which is attributed to Padmasambhava.

The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 815 North Broadway. For more information, call 518-580-8080.

Photos provided.

SARATOGA SPRINGS — Meg Messitt, 15, a sophomore at Saratoga Springs High School, is one of 60 students across the United States to be accepted to attend the National Rifle Association’s Youth Education Summit.

Messitt is a history enthusiast, who aspires towards a career in either law or politics.

“I really like global, that’s really fun,” said Messitt. “It’s really fun to learn about the past and how it affects us now.”

While in Washington D.C for the summit, she will spend her week studying the constitution and learning new debate skills.

There was a lengthy application process to be a part of the Youth Education Summit. Messitt needed to provide a personal statement, a research paper on the second amendment, her resume, high school transcript, and her 4.0 grade point average.

“I am so excited! I am thrilled! I’m going to meet so many friends, and it’s going to be a great opportunity for me to engage with peers all over the country,” said Messitt.

Though Messitt is not an experienced shooter, while at the summit, she will be able to practice at the NRA’s indoor shooting range.

Messitt first learned about the summit from a family friend, who believed that Messitt’s personal interest, political values, and hard work would make her an ideal candidate for the summit.

“As a supporter of the 2nd amendment, I am volunteering my time in campaigning with Saratoga Parents for Safe Schools to get Dean Kolligian, Ed Cubanski, and Shaun Wiggins onto the board of education, because they are strong supporters of the 2nd amendment and working to make our school safer by arming security.”

Messitt would like to thank her AP Global teacher Mr. Northrop who she states truly inspired her to further learn about the constitution and aided her throughout the application process.

The summer of 2019 is already proving to be fulfilling for Messitt at she embarks on her summer journey of leadership growth.

SARATOGA SPRINGS – It was shortly before the Summer of Love, just before the Monterey Pop Festival in June 1967 and around the time Muhammad Ali was stripped of his boxing world championship for refusing to be inducted into the U.S. Army.

Eric Andersen, by that time, already had a couple of albums to his credit. He’d made an appearance in an Andy Warhol film alongside “Girl of the Year" Edie Sedgwick, and was being recruited by Brian Epstein to be taken under the Beatles’ manager’s wing. Epstein arrived in New York with an advance copy of “Sgt. Pepper's Lonely Hearts Club Band,” and invited Andersen to give it a preview listen.   

“He had just flown over from London and was at the Waldorf Astoria,” Andersen recalls. “We had a little record player and he just played it. We heard ‘A Day In The Life.’ We heard a bunch of tracks, there, in the dark, with only a little light coming from the bathroom that was open just a crack.”   

Three years later, Andersen journeyed alongside Janis Joplin and the Grateful Dead atop the rails of their legendary trans-Canadian train tour, and a handful of years after that was on stage harmonizing with Patti Smith in a prequel to Bob Dylan's equally legendary Rolling Thunder Revue. Legendary status finds him resting easily.

“Live long enough and you’ll get to meet everybody,” he says with a laugh.

Fast-forward to the present day where on an early spring afternoon, the singer-songwriter-poet is motoring between a booking in Philadelphia – where he sang about Lou Reed in Anthony DeCurtis' music journalism class – and Montclair, New Jersey, where a 1960s themed concert is being staged. Over the past two weeks, he’s appeared in Greece to give a speech to a psychoanalytic convention – “I know, go figure,” – and celebrated Lawrence Ferlinghetti's 100th birthday on the Lower East Side alongside Anne Waldman, Ed Sanders and Laurie Anderson.

Now, he begins a springtime tour, which visits Caffe Lena in Saratoga Springs on Sunday, April 7.  Andersen will be accompanied by percussionist Cheryl Prashker, producer, musician, and audio engineer extraordinaire Steve Addabbo, and violinist Scarlet Rivera - whose majestical bowing is forever sonically imprinted on the Bob Dylan tracks “Hurricane,” and “One More Cup of Coffee,” and on David Johansen’s “Lonely Tenement,” among others. 

Twenty or so years ago, Andersen co-wrote a song titled "You Can't Relive the Past" with Lou Reed. And while maybe you can’t relive the past, he seems mostly OK talking about it, albeit amid all kinds of mayhem going on around him. 

“We just missed an accident. Just got by it. Collision of two cars right on the street. Two firetrucks. Two ambulances. And a freight train going by overhead,” Andersen says. Further complicating matters is he is being navigated in a vehicle with an apparently wonky tire. “The car is vibrating,” he reports. Or, it could be the making of a song.

Born in Pittsburgh, Pennsylvania in 1943, Andersen received his early schooling in Buffalo, where he taught himself guitar and piano, watched Buddy Holly and the Everly Brothers play at his high school gym and saw Elvis Presley perform in a gold suit at the Buffalo Memorial Auditorium.

“What do you remember about Elvis in Buffalo in 1956?”  

“When that first chord hit, the chairs were kicked away within one nanosecond and everyone was standing,” he responds.

In the early 1960s, Andersen hitchhiked west and landed at job at City Lights Bookstore in San Francisco, where he attended a party following a Haight-Ashbury poetry reading on a memorable November night in 1963.  “I wrote a 26-minute-long tone poem called ‘Beat Avenue,’ about it,” he says.  “The day John Kennedy was killed. I was at a party with Allen Ginsberg and Ferlinghetti, and (Kerouac’s friend) Neal Cassady – the protagonist of ‘On The Road.’ They were all there. And Allen was walking around with no clothes on. That was funny. Like a naked Buddha.”  The double CD set, “Beat Avenue,” features 14 original compositions in all, and was released in 2003.

At the invitation of Tom Paxton, Andersen headed to New York City where a flourishing Greenwich Village songwriting circle included Phil Ochs, Dave Van Ronk, Bob Dylan and Ramblin’ Jack Elliott. His first New York gig was opening for John Lee Hooker. He performed at a plethora folk and jazz clubs. And when not performing, was watching others - the Velvet Underground, the Doors, and John Coltrane, among them – stage their own performances.  

“John Coltrane… on stage he could put himself in a trance and play. And eventually he’d put you in a trance,” Andersen says.  

During the 1970’s, Andersen divided his time between California and New York, the latter being where a new scene was unfolding with people like Sam Sheppard and Leonard Cohen, Robert Mapplethorpe and Patti Smith. “Patti Smith: she was working at the book store, and we were all living at The Chelsea Hotel.” Manhattan, meanwhile, isn’t what it used to be. “It’s so gentrified and expensive,” he says.

The early ‘70s also delivered the release of “Blue River,” perhaps his best-known and best-selling record. “One crazy (concert) was when my album ‘Blue River’ came out. I did a show with the Jefferson Airplane in front of 400,00 people. They had a band. I had a guitar. I mean, I figured if I didn’t get a heart attack that day… I’ll live forever.”

More recently, Sony/Legacy Recordings issued “The Essential Eric Andersen” last spring. The 42-track retrospective covers 50 years of Andersen’s recorded history. A retrospective documentary, titled “The Songpoet,” is slated for release later this year. (The trailer, which looks awesome, may be viewed HEREHERE. 

On April 7, Andersen returns to Caffe Lena, where he last performed 12 months ago.

"Saratoga. If I had done better at the track, I could be living in my Range Rover on my small estate in Saratoga Springs, one of those houses with the pillars with a chandelier 100 miles up over the front door," he says with a laugh. Of Sarah Craig, Caffe Lena’s executive director, Andersen says: “she’s one of the most interesting people I’ve ever met. She’s a repository of arcana. She knows all kinds of facts and figures about the world; a reservoir of fascinating information,” he says. “You can print that for everybody to know.”  So, there it is.

Eric Andersen, with Scarlet Rivera and Cheryl Prashker, performs 7 p.m.  Sunday, April 7 at  Caffe Lena, 47 Phila St., Saratoga Springs. Tickets are $35 general admission, $32 café members, $17.50 students and kids. More information and tickets, go to: caffelena.org, or call 518-583-0022. 

SARATOGA SPRINGS N.Y. — It’s a Tuesday morning, Cecilia Axe is sitting in a fluorescently lit room at the Saratoga Bridges office with her parents, and Pamela Polacsek discussing the upcoming Autism Expo at the Saratoga City Center. There is a water cooler on the other side of the room, and a man walks in and fills up his cup of water. Everyone in the room is carrying on with their conversation, except Cecilia, who’s attention was derailed by the subtle pitter-patter of water filling up a cup. This is not uncommon for someone who is Autistic.

“That guy filling up water right now,” says Cecilia’s father John Axe.  “That was just as prevalent with her as you and I talking right now, but for us, we just put that in the background.”

According to the Center for Disease Control and Prevention, one in 59 children are identified with Autism Spectrum Disorder, which is a pervasive neurological developmental condition. It can often be characterized by apparent deficits in communication skills and behaviors.

“I’m not really quite in tune with trends and social rules. I always offer a unique perspective on things. That can help with a lot of things - I have my own unique voice I guess,” says Cecilia Axe.

Cecilia who is 15-years-old now was diagnosed with autism spectrum disorder when she was four-years-old. She progressed through pre-school at the ages of three and four, but it wasn’t until she entered kindergarten when Cecilia’s seemingly odd behavior was drawn to her mother’s attention. She would be sent to the principal’s office every day, but she enjoyed being sent to the principal which her teachers told her mother that said behavior was not like most children’s.

Photo by Lindsay Wilson.

“I knew my kid was different,” said Cecelia’s mother Allison Defibaugh. “I couldn’t leave her with other people, and she couldn’t get her needs met; she wouldn’t ask for a drink, she wouldn’t ask for food, she didn’t know how to stand in lines, or what lines were even for. She had behaviors that should not have persisted to the age that she was.”

According to a study done by the American Academy of Pediatrics, autism spectrum disorder shows more to be 3.46 times more prevalent in boys than girls.

For Defibaugh, the most challenging part of this diagnosis was not having answers or guidance as to how to best support her child.

“I didn’t know who to call, or what to do, or where to go. I didn’t know about putting her in special education. I didn’t know about psychologist, I didn’t know about developmental pediatricians…I ended up paying out of pocket to have her evaluated and sort of had to navigate through a very dark maze,” said Defibaugh. “If we could’ve gone to a place like the autism expo - if such a place were at the time I could’ve gone there, and I could’ve had four or five choices on every single point that helped me get Cecelia to where she needed to go to be able to access education.”

Cecilia is a member of her local Triangle organization, which focuses on three pillars; a duty to God, a duty to one’s self and a duty to others. To fulfill her duty to others Cecilia sought out an organization to dedicate her time to volunteer with and selected the Autism Expo, hosted by the Upstate Autism Alliance, Skidmore College Psychology Department and Saratoga Bridges. This expo provides a collective space for individuals who are autistic, and those caring for people who are autistic to find a myriad of information ranging from doctors, schools to autistic friendly travel agencies.

For the past three years, Cecelia has volunteered to greet the attendees, assisting vendors with registration, and has been a comforting peer to those attending the expo who may have a loved one who is autistic, or who may be autistic themselves. She believes this expo is very important for people to know about.

“If you need any help with anything, that there is at least one group there that provides certain help that you need. There is a way to access a lot of different material, and sign up for things like camps,” said Axe.

While the representation of autistic people is becoming more prevalent in mainstream media, many sometimes promote a lot of misconceptions.

“It’s not as bad as it seems. There are certainly some people who think that having it will ruin your life or make everything ten times difficult. I say it’s like anything in life where it has benefits and some drawbacks to it,” said Axe. “I may have some in social situations. But it also helps in let’s say, for animation, I’m going into for my career and my autism helps with attention to detail where I can notice small things in a drawing and help make it better. I can see things in my head. I can use my own imagination as references.”

The 2019 Autism Expo will take place Sunday, April 14, at the Saratoga City Center.

SARATOGA SPRINGS – An eyesore that stood for decades on Putnam Street was demolished Monday afternoon. In its place will rise a five-story mixed-use building with plans calling for a restaurant at the street level and approximately two-dozen condominium apartments upstairs.

“Everyone I know has loathed that building for decades,” said Jason Letts, shortly after a massive excavator, boasting more than 80,000 lbs. of operating weight, extended its 20-foot boom and clawed at the architecture, laying to waste the last wall standing and leaving a debris field comprised of twisted metal and broken bricks, splintered wood and chunks of concrete.     

“Before I got involved with this, whenever I’d take my son to the library (across the street) I’d think: somebody’s got to do something about that, so I’m glad to be doing something about it,” said Letts, one of the co-owners of the proposed “Five-Three” development that will be located at 53 Putnam St., opposite the Saratoga Springs Public Library. 

The initial intent was to revamp the existing two-story building and create a performance venue with a food service component. Those plans changed after the site was revealed to be contaminated from its earlier use as a dry clean facility as well as sustaining oil contamination from an offsite source.

“When we learned about all the environmental conditions, it wasn’t feasible,” Letts said. “The building had asbestos and was completely dilapidated. It had to go. The next step is removing five feet of soil, and also some oil.”

Environmental remediation is being conducted via the state’s Brownfield Cleanup Program –an alternative to greenfield development and intended to remove some of the barriers to, and provide tax incentives for, the redevelopment of urban brownfields.

Late in 2018, the group proposed the development of a six-story building featuring 40 condominium units in the $400,000 to $800,000 price range topped by a roof deck, pergola and a stair tower – which would top-off at 84 feet above ground-level.

Those plans have since been scaled back to a proposal of four floors and a partial “setback” fifth floor, Letts said. The number of condo units has also been amended to about 23 apartments in all. The price point will stay the same as initially proposed.

Earlier plans for a ground floor communal-type kitchen have also been amended and will instead likely feature a restaurant. Letts said there is strong interest from Capital Region based restaurants seeking to move into Saratoga.

The group is currently responding to some unresolved questions posed by the city’s Land Use boards, but the hope is that approvals will be secured in short order.

“We’re hoping to really get going in the fall. From that point, our construction manager is talking about an 18-month construction period,” Letts said. There are no plans for on-site parking. “That’s something we’re still working out,” he added. “We’re excited about making our city cleaner and more vibrant and we think this will be a big revitalization to some of the slightly off-Broadway areas.”