Author: Jonathon Norcross

SARATOGA SPRINGS — Skidmore’s Arthur Zankel Music Center was alive this Friday with the enchanting music of pianist HaeSun Paik. The musician could be seen fully immersed in her music, with her entire body swaying as the notes floated throughout the music hall. 

The crowd was a blend of all ages, and they could be seen watching her performance intently. Paik made her tempo changes sound effortless as the tunes shifted from a calm and relaxing melody to a faster paced, more aggressive sound. Each tempo evoked a new emotion, and it was easy to get lost in the music.

It was clear that Paik was in her element, and her passion for the art form shone with the creativity and effort she put into her program. She started with Beethoven and transitioned into a well-known Korean tune, with the sounds changing to symbolize the changing seasons. This was followed by a folk-like Hungarian melody, and the concert was concluded with a work that tied back into Beethoven, creating a full circle loop.

Paik used her program as a showcase for her range as a pianist and her understanding and creativity in the field. The crowd was supportive and received her work with a standing ovation to finish off the night.

Paik can be found on multiple streaming platforms, including Amazon Music, Spotify, and Apple Music.

SARATOGA SPRINGS — Katrina Trask is well-known to locals as one of the driving forces behind Yaddo, the artists’ community that helped foster the talents of James Baldwin, Truman Capote, Sylvia Path, and many others. 

Less known is that Trask was herself an artist. She was a poet, author, playwright, and songwriter with a handful of titles to her name, perhaps most notably the anti-war play “In the Vanguard,” written on the eve of World War I. 

At the Canfield Casino last Thursday evening, Trask’s original music compositions were performed by soprano Eileen Egan Mack and pianist Michael Clement. Songs attributed solely to Trask included “The Pine Tree,” “The Crimson Rose,” “Courage, O Heart,” “Lord of the Heavenly Host,” “Thine Eyes,” and “Darling, Darling.” These poetic ballads tended to sound a bit like religious hymns with perhaps elements of what we would today identify as singer-songwriter or jazz.

The program also included songs with lyrics written by Trask, including “Come Into the Garden,” (music by Bertha Remick); “A Song of Yaddo,” (music by A. Parsons); “Consolation,” (music by Dudley Buck); and “God Understands,” (music by R. Nathaniel Dett). In the early 20th century, Dett was a leading Black composer who incorporated elements of African American music into classical compositions. Trask’s collaboration with him is especially notable, considering Dett was born just 17 years after the end of the Civil War.

Rounding out the evening were a few samples of music created by Trask’s contemporaries, such as “Vocalise” by Sergei Rachmaninoff, a unique composition that has no lyrics and is sung with only one vowel.

The Saratoga Springs History Museum credited the research of Rumara Jewett with making the event possible. Jewett, the museum said, has uncovered a wealth of historical material about Trask’s music.

SARATOGA SPRINGS — Inducted into the Capital Region Thomas Edison Music Hall of Fame last year, Dan Berggren is one of a select group of musicians keeping the spirit and traditions of Adirondack music alive.

But what exactly is Adirondack music?

Ahead of his benefit concert scheduled for Friday, March 27 at the Unitarian Universalist Congregation in Saratoga Springs, Saratoga TODAY spoke with Berggren to better understand the unique history and genre of Adirondack-style songwriting. Presented below is that interview in Q&A format, edited for length and clarity.

Saratoga TODAY: How would you describe Adirondack music?

Dan Berggren: The roots are in the days of logging, when, in the 1800s, a lot of Irish immigrants and a lot of French-Canadian immigrants ended up in the Adirondacks because of the demand for cutting trees and getting trees to market. These people brought their music with them, things that they had learned by ear from their parents. Some of the loggers brought songs from other places, and these songs existed over the decades because they just changed the name of the river or the name of the town where the logs were going to. In the case of Adirondack songs, they always mentioned the logs going to Glens Falls. I guess that’s part of the essence of folk music, taking something old and adapting it and making it either new or making it local. That’s the very essence of folk music, to me.

Saratoga TODAY: It seems like you have a history of collaborating with other musicians. Would you say that there’s a healthy community of people who are interested in writing about the Adirondacks, or carrying on the tradition of Adirondack music?

Dan Berggren: It’s a small group, but it’s a vibrant group. One example of this group is something that happens at Great Camp Sagamore in Raquette Lake every June. It’s called Roots & Branches. There’s John Kirk, Trish Miller, Sara Mionovich, Dan Duggan, Peggy Lynn and myself. So, six of us have been leading this Roots & Branches workshop that is open to young people, people in their 20s and 30s, who are interested in this pursuit of carrying on the tradition of folk music, of music that tells stories. Not only the old songs but writing new ones in that tradition. That comes up every June. Actually, it’s free for those who attend. They fill out an online form, and they don’t have to pay for this workshop.

Saratoga TODAY: How did you find yourself becoming someone associated with and interested in this type of music?

Dan Berggren: When I was a little kid, my older brother would bring records home from the public library. They were records like Pete Seeger, The Weavers, Lead Belly, or folk records. My brother went off to college, and when he would come home on vacation, he had a guitar with him, and he knew how to play the guitar. I thought, ‘Wow, that’s magic. Show me a few chords.’ When I was 13 or 14, I started playing the guitar. Jump ahead to after college, I was in the army, and upon arriving back in the Adirondacks in 1975, I discovered that there was this thing called Adirondack music. Marjorie Lansing Porter was a journalist who became the Essex County historian, and she would go door to door (this is in the late 40s, early 50s) looking for old songs, and she would record them on these acetate discs. I discovered this collection at the SUNY Plattsburgh library and wondered ‘How come nobody has ever mentioned Adirondack music to me before? How did I come upon this just by accident?’ I decided if I was going to sing and perform music, why not sing and write about my home? That was 1975 when I started writing songs and collecting songs and sharing them with audiences.

Saratoga TODAY: What is it about the Adirondacks that you think draws people towards them? Obviously, it’s very beautiful and people enjoy hiking, but there also seems to be something about it that inspires a lot of creative types.

Dan Berggren: I think it’s the magic of wilderness. Over 100 years ago, legislators in the state decided it would be a good thing to have 6 million acres, call it the Adirondack Park, and it’d be public and private. We won’t fence it off and have it be separate, but it’ll all be integrated as one park, and that wilderness can exist right next door to a K-12 school. It can exist right next to somebody’s farm. You can drive through little towns like Olmstedville, where I grew up, or bigger towns like Lake Placid, and you’re only minutes from the wilderness… I’ve never been anywhere else where there’s this integration of wilderness and private and commercial and industrial where they can exist in a space, and you can go off on a hike or paddle a canoe and not see another soul, if you want. You can go to Lake George. You can go to a big, populous area downtown, like Lake Placid. But you can also go to a pond and canoe for hours and never see or hear another human being. It’s a balm for the soul that lets you grow in another way.

SARATOGA SPRINGS — A critically acclaimed, New York Times-bestselling novel with ties to the Saratoga area will be adapted into a Netflix series starring Maya Hawke of “Stranger Things” fame.

“The God of the Woods,” primarily set in the Adirondacks but containing references to the Spa City, revolves around the mysterious disappearance of 13-year-old Barbara Van Laar. The multi-generational drama explores the wealthy Van Laar family’s past, which could be connected to Barbara’s case. 

According to Deadline, Hawke will play investigator Judy Luptack, who attempts to unravel the mystery.

“God of the Woods” author Liz Moore headlined the 2024 Saratoga Book Festival, and has made a number of appearances across the Capital Region. In July 2024, Moore and actress Amanda Seyfried visited the Northshire Bookstore in Saratoga Springs as part of a “God of the Woods” promotional event. Last year, Seyfried starred in the Peacock series “Long Bright River,” which is based on one of Moore’s novels.

SARATOGA SPRINGS — A slew of pop performers recently announced they’ll be appearing at the Saratoga Performing Arts Center (SPAC) this summer.

The clock will “Tik Tok” until Kesha takes the amphitheater stage on Aug. 18. Opening for her will be Chromeo, the electro-funk duo, and Erika Jayne, a singer perhaps best known for starring in the Bravo reality TV series “The Real Housewives of Beverly Hills.”

On Aug. 27, “No Scrubs” sensation TLC will co-headline a concert with hip hop group Salt-N-Pepa. En Vogue, a girl group with a string of hits in the 90s, will open.

Tickets for both concerts went on sale this week and are available via spac.org or LiveNation.com.